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ARTikulationen 2020

8–10 October 2020

ARTikulationen 2020’s presenters were Daniela Braun, Janhavi Dhamankar, Patrick Gusset, Jessica Kaiser, Susanne Scholz, Marcio Steuernagel, and Karin Wetzel. Our doctoral students presented the results or advances of the past year(s), with Karin Wetzel’s presentation having been for the final year viva voce (Rigorosum).

ARTikulationen 2020 was be a hybrid (online and local) event. True to tradition, some of the presentations featured live performances, and most of them examples of recorded materials. Instead of keynotes and panel discussions, there were two novelties in response to the virus-forced online-aspect of the event.

The first is the Intermezzo format, in which nonverbal reflections of specific artistic research in the form of “Songs Without Words” are first streamed and then discussed. The three Intermezzi of one hour duration each were dedicated to the 2019 edition’s topic: reflection through music. We invited nonverbal reflections for a first attempt at engaging through action with what has been a central riddle in the discourse and understanding of artistic research. Elina Akselrud, Magdalena Chowaniec, Lorelei Dowling, Adela Liculescu, Feliz Reyes Macahis and Jakob Stillmark were the contributors.

The second novelty was a series of feedback sessions for each doctoral student with their supervisory and advisory team. These sessions were a rare opportunity for concentrated group exchange on the project status and took place 30 minutes after each respective presentation and discussion. For those present locally, MUMUTH Proberaum was the main space.

Schedule

Thu 08 Oct

 

14:00

 

Deniz Peters, Christopher A. Williams

Opening

14:15

 

Janhavi Dhamankar

Empathy Infusions Guided Tour

Join me as I guide you through the research highlights of this year. I have designed a participative performance to walk through the story …

15:45

Pause

15:45

 

Intermezzi

Lorelei Dowling, Magdalena Chowaniec

16:45

Pause

17:00

 

Jessica Kaiser

The Musical Dyad - on Interplay in Duo Settings

In a chamber music performance, performers as well as listeners seem to highly value the potential of musical and emotional connection and intimacy unfolding …

Fri 09 Oct

 

10:00

 

Patrick Gusset

The Future Of The Earth: Preenacting Climate Scenarios

Um Fragen des Künftigen zu bearbeiten, entwerfen wir Szenarien. Die Methode der Szenariotechnik analysiert mögliche Entwicklungen der Zukunft und stellt sie zusammenhängend dar. Szenarien …

11:00

Pause

11:30

 

Intermezzi

Jakob Stillmark, Feliz Anne Reyes Macahis

12:30

Lunch Break

15:00

 

Susanne Scholz

The Instruments beneath the Golden Layer

for the second presentation of the doctoral project The Sound beneath a Golden Layer Researching The Sound beneath a Golden Layer of the Renaissance …

16:00

 

Intermezzi

Elina Akselrud, Adela Liculescu

17:00

Pause

17:15

 

Daniela Braun

Playing with Resonance

Sympathetic resonance is a phenomenon wherein a resonator responds to the vibrations of an unconnected sound source, such as the sympathetic strings of a …

Sat 10 Oct

 

11:00

 

Márcio Steuernagel

Senses of musical imperfections in “The Great in-Betweenness” for solo flute

with Eric Lamb (Flute)

The question of “what is musical imperfection” or “what can musical imperfection be” is an elusive one. As a morphologically …

12:00

Lunch Break

13:00

 

Karin Wetzel

Rigorosum: Das Werk im Werk - Konzepte des Poly-Werks im 20. und 21. Jahrhundert

In the past 70 years, various composers have composed so-called poly-works, that consist of at least two works that can be performed either independently …

14:30

Pause

15:00

 

Deniz Peters

Finale (Announcement of results, Best Practice Award)