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GLORIES TO NOTHINGNESS SORROW. MADNESS. NOTHING. A voice. A gesture. A beginning. An experiment. A sketch. A becoming. ... based on the story of a singer’s performance of paradoxes and passions in 17th century Venice. ... based on a singer’s research – performed in the 21st century – about the Art of Performing Everything and Nothing. GLORIES TO NOTHINGNESS is an artistic research project investigating performative acts of moving between Vocalizing ≈ Articulating ≈ Mattering ≈ Trusting. The research question: How to perform trust? Every movement, utterance, projection and articulation is consciously exploring and honoring Nothingness as an idea and a concept much debated at the time when the first public opera productions were performed in Venice around 1640. Based on a performative research approach and new materialist theories, performance acts are methodologically diffracted through musical fragments composed by Luigi Rossi (c. 1597 – 1653), Claudio Monteverdi (1567-1643) and Francesco Sacrati (1605-1650); through selected poems from the volume Le Glorie della signora Anna Renzi romana (Venice, 1641); through thoughts entangled with figures such as RESISTANCE, VULNERABILITY and TRUST; through the practice of exploring force and form as every day performative acts. Elisabeth Belgrano vocal projections / performance Björn Ross visual projections / scenography

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  • contents
    • Glories to Nothingness
    • Nine Open Research Laboratories
    • 1 DARKNESS-MEMORY-ABSENCE
    • 2 FRAGMENTS-FIGURES-ADVENTURES
    • 3 CONTRADICTION-CHIASMA-ENCOUNTER
    • 4 RESISTANCE-VULNERABILITY-TRUST
    • 5 ENTANGLING-ENFOLDING-DIVERSITY
    • Elisabeth Laasonen Belgrano, Björn Ross
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  • abstract
    GLORIES TO NOTHINGNESS SORROW. MADNESS. NOTHING. A voice. A gesture. A beginning. An experiment. A sketch. A becoming. ... based on the story of a singer’s performance of paradoxes and passions in 17th century Venice. ... based on a singer’s research – performed in the 21st century – about the Art of Performing Everything and Nothing. GLORIES TO NOTHINGNESS is an artistic research project investigating performative acts of moving between Vocalizing ≈ Articulating ≈ Mattering ≈ Trusting. The research question: How to perform trust? Every movement, utterance, projection and articulation is consciously exploring and honoring Nothingness as an idea and a concept much debated at the time when the first public opera productions were performed in Venice around 1640. Based on a performative research approach and new materialist theories, performance acts are methodologically diffracted through musical fragments composed by Luigi Rossi (c. 1597 – 1653), Claudio Monteverdi (1567-1643) and Francesco Sacrati (1605-1650); through selected poems from the volume Le Glorie della signora Anna Renzi romana (Venice, 1641); through thoughts entangled with figures such as RESISTANCE, VULNERABILITY and TRUST; through the practice of exploring force and form as every day performative acts. Elisabeth Belgrano vocal projections / performance Björn Ross visual projections / scenography
  • Elisabeth Laasonen Belgrano, Björn Ross - Glories to Nothingness - 2018
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