Elisabeth Belgrano

Sweden °1970
en

Elisabeth Belgrano (voice/artistic research) performing her professional career entangled and diffracted through 17th century vocal music staged as contemporary performance art / Noah Greenberg Award from The American Musicological Society in 2005/ PhD in Performance in Theatre and Music Drama in 2011 for Performing Nothingness through Mad Scenes and Lamentation in 17th Century Opera, Academy of Music and Drama, Univ. of Gothenburg / supervising and examining in higher art education (performative arts and teachers-training in visual arts and music) / co-directing the Cross-Disciplinary Faculty Group for Performance/Performativity, University of Gothenburg 2013-15 / co-supervising doctoral artistic fellow at Norwegian Academy of Music 2017-2019 / performing research at international symposia and conferences / passionate about paradoxes / loving pedagogical adventures / mad about vocal ornamentation through artistic sensuousness / caring for intra-active encounters / desiring trust through touch...

 

http://konst.gu.se/english/ArtMonitor/dissertations/elisabeth-belgrano)

https://elisabethbelgrano.academia.edu

http://www.elibelgrano.org

 

 



 



 

 


research

CV and Artistic Research Portfolio

RECORDINGS

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works

  • GLORIES to NOTHINGNESS- a performance-installation (05/01/2015)
    Event: Performance, artist(s)/author(s): Elisabeth Belgrano, Björn Ross
    GLORIES TO NOTHINGNESS is an explorative performance-installation part of an artistic research project investigating the performative/transformative act of moving between Vocalizing ≈ Articulating ≈ Mattering ≈ Trusting. Musical fragments composed by Luigi Rossi (c. 1597 – 1653), Claudio Monteverdi (1567-1643) and Francesco Sacrati (1605-1650) are intra-actively diffracted throughout the project. Glories to Nothingness is staged through nine open research laboratories based on Belgrano’s doctoral thesis from 2011, defended at the Academy of Music and Drama, Univ. of Gothenburg. (This dissertation was the first one presented in the newly established academic research field of Performance in Theatre and Music Drama in Sweden). Each open laboratory presents as a ‘spacetime’ always part of other instants and realities. Every movement, utterance and articulation performed within each ‘spacetime’ is consciously honoring Nothingness as an idea and a concept much debated at the time when the first public opera productions were performed in Venice around 1640.
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RESEARCH PROJECTS

  • “LASCIATEMI MORIRE” o farò “La FINTA PAZZA”. Embodying vocal NOTHINGNESS on stage in Italian and French 17th century operatic LAMENTS and MAD SCENE, Dissertation project 2006-2011, PhD in Theatre and Music Drama (Scenisk gestaltning) (2006-2011)
    Degree: Doctorate, Academy of Music and Drama, University of Gothenburg, (Sweden), recipient: Elisabeth Belgrano
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research expositions

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Conferences / Symposia

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Lectures

NETWORKS

comments

Exposition: Redundant Perception: An Artist's Enquiry (14/09/2017) by Christopher Hollins
Elisabeth Belgrano 25/10/2017 at 10:55

I respond even if I have not read you whole essay. Only parts of it.

I am a singer. Making art that sees no inside or outside.  Art is myself-as-sound. Art in me is perhaps that ' experience of deeper natural form'.  Have you work with voices? Have you explored your art as voice?




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