COLLECTED FEEDBACK - PEER TO PEER - GIVER RECEIVER

WHAT IS THE PEER TO PEER FEEDBACK ABOUT?


AND HOW DOES IT DIFFER TO 'OTHER' FEEDBACK?

COLLECTING

SELECTING

TRANSLATING

CREDITING

AARON JOSI STERNBAUER

MAJA KAROLINA FRANKE

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Through breathwork and partitures, the space INBETWEEN writing and drawing, moving and dancing dissolves and choreographies emerge out of this.

Question

 

What is the distinction between limitation and restriction?

 

Researching on the contours of constraint explores the dynamic between action and inaction.

 

Performing an impossible task.

 

Survival technique 

 

How do we navigate and exist within the physical world and space?

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Questions

 

What are the politics of our breath? 

 

How we can engage with a practice (possibly one that is unfamiliar) and respect the structure or task at hand while maintaining personal expression and connection to others?

Insight


Reflecting on history from multiple perspectives, including political and

dance history, to fill in gaps and understand what was overlooked.

BITA BELL

JOLYANE  LANGLOIS

Jolyane's practice explores the profound role of breath in connecting body, emotions, and social relationships, with a focus on intuitive, non-controlled breathing as a way of enhancing both personal and collective awareness.

PEER TO PEER TRAINING AND PRACTICE SHARING

EXCHANGING KNOWLEDGE AND FEEDBACKING

 

PEFORMATIVITY                         TRAINING




FEEDBACK                                 METHODS

 



FACILITATORS

New insights diagram

CLAIRE LEFÉVRE

LAYERS


There are many layers in this work

Rooting

Intersecting

Text is inside bodies

Moving through the text

Reading trough dance


ANNA BICZÓK