Diffracting the

Copenhagen

Interpretation(s)

 

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ASSOCIATING

BODY

BOHRING, BOHRFUL

CARTOPGRAPHY

COLLAGE

COLLECTING OBJECTS; GESTURES; SHADOWS

COMPLEMENTARY

CONFIGURING (RE-)

CONTINUITY (DIS/)

CRITICALITY

CUTTING TOGETHER/APART

DIFFRACTION, DIFFRACTING, DIFFRACTIVE

DOCUMENTING

E/MERGE

ENSEMBLE

ENTANGLEMENT

ENTANGLED DREAMING PRACTICE

FOLDING

FROTTAGE, FROTTAGING

GERUND   

GESTURES

GHOSTS

 

                          Lorem ipsum dolor sit amet,

        consectetur


  adipiscing elit, sed do eiusmod  empor incididunt

   ut labore et dolore magna

                        aliqua. Ut enim ad minim


      veniam, quis nostrud exercitation

                           ullamco laboris

nisi                         aliquip ex ea commodo consequat.



                           Duis aute irure d¨

olo      in reprehenderit in voluptate velit esse cillum '   

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                 nulla pariatur. Excepteur sint

occaecat cupidatat non proident, s

 

             unt in

culpa qui officia deserunt

                            mollit anim id est laborum.

                          Lorem ipsum dolor sit amet,

        consectetur


  adipiscing elit, sed do eiusmod  empor incididunt

   ut labore et dolore magna

                        aliqua. Ut enim ad minim


      veniam, quis nostrud exercitation

                           ullamco laboris

nisi                         aliquip ex ea commodo consequat.



                           Duis aute irure d¨

olo      in reprehenderit in voluptate velit esse cillum '   

                  dolore eu fugiat 

                 nulla pariatur. Excepteur sint

occaecat cupidatat non proident, s

 

             unt in

culpa qui officia deserunt

                            mollit anim id est laborum.

Map

Terrains

Orientations


HAUNTOLOGY

INDETERMINACY

INTERPRETATION

IMITATING

IMPROMPT, IMPROMPTU, IMPROMPTING

LINE

LISTENING

MANYDIRECTIONALITY

MASS

MATTER

MOBILÉ (URO)

NON/LOCAL LISTENING

NON/LOCAL WALKS

NON/LOCAL WRITING

OBJECT

PARTICIPATORY REALISM

PERMUTATION

POLYPHONY

POSITION (pre-, trans-, super-, ex-, pro-, non-)

 

 

PROTOCOL

REPETITION

RETROCAUSALITY or Backward Causation

SAMPLING (AUDIO, TEXT, OBJECTS, MATERIALS, GESTURES)

SCORE

SHADOW

SPACETIME

SUPERPOSITION

TEMPLATE, TEMPLATING, TEMPLATIVE

THREAD

TRANSCRIBING

TRANSPOSITION

UNCERTAINTY

UNCERTAIN NEWS

URO (MOBILÈ)

WAVE

WALK, WALKING

WEAVING (INTER-; INTRA-)

WOLRDLINE

 

 

Barad, Karen. 2007. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham: Duke University Press.

 ———. 2011. “Erasers and Erasures: Pinch’s Unfortunate ‘Uncertainty Principle’, Social Studies of Science,.” Sage Journal 41 (3). https://doi.org/10.1177/030631271140.

 ———. 2012a. Intra-Actions (Interview of Karen Barad by Adam Kleinmann). DOCUMENTA (13) Issue of Mousse Magazine. Milan, Italy.

 ———. 2012b. “Nature’s Queer Performativity, Women.” Women, Gender and Research 2012 (2): 25–53.

 ———. 2012c. What Is the Measure of Nothingness? Infinity, Virtuality, Justice / Was Ist Das Maß Des Nichts? Unendlichkeit, Virtualität, Gerechtigkeit. 100 Notes - 100 Thoughts / 100 Notizen - 100 Gedanken, No099: Karen Barad. DOCUMENTA (13) © 2012 Documenta Und Museum Fridericianum Veranstaltungs-GmbH. Kassel; Ostfildern: Hatje Cantz Verlag.

 ———. 2014. "Diffracting Diffraction: Cutting Together-Apart". Parallax 20 (3): 168–87. https://doi.org/10.1080/13534645.2014.927623.

Bohr, Niels. 1972. Collected Works; Vol. 1: Early Work (1905-1911) (ed. J. Rud Nielsen), 1972. ; Vol. 2: Work on Atomic Physics (1912-1917) (ed. Ulrich Hoyer), Amsterdam : North-Holland Pub. Co.

Cage, John. 1961. Silence: Lectures and Writings. Middletown, Conn: Wesleyan University Press.

Cocker, E, Gansterer, N. & Greil, M. 2015. “Choreo-Graphic Figures: Beginnings and Emergences.” Ruukku, On Process. 20 (6). http://ruukku-journal.fi/en.

Cocker, Emma. 2013. “Live Notation: – Reflections on a Kairotic Practice.” Performance Research 18 (5): 69–76. https://doi.org/10.1080/13528165.2013.828930. 

Cocker, Emma, Nikolaus Gansterer, and Mariella Greil. 2015. “Notion of Notation >< Notation of Notion.” Performance Research 20 (6): 53–57. https://doi.org/10.1080/13528165.2015.1111053.

DeLanda, Manuel. 2016. Assemblage Theory. Edinburgh, Scotland: Edinburgh University Press. 

———. 1988. Spinoza: Practical Philosophy. Monroe, OR: City Lights Books.

Dolphijn, Rick, and Iris van der Tuin. 2012. New Materialism: Interviews & Cartographies. Open Humanities Press.

Franklin, Sarah. 2017. “Staying with the Manifesto: An Interview with Donna Haraway.” Theory, Culture & Society 34 (4): 49–63. https://doi.org/10.1177/0263276417693290.

Golanska, Dorota. 2018. “Geoart as a New Materialist Practice. Intra-Active Becomings and Artistic (Knowledge) Production.‘, RUUKKU - Studies in Artistic Research.” RUUKKU - Studies in Artistic Research 9.

Haraway, Donna. 1997. Modest_Witness@Second_Millennium. FemaleMan©_Meets_OncoMouseTM: Feminism and Technoscience. Routledge, New York and London.

———. 2003. The Companion Species Manifesto, Dogs, People and Significant Otherness. Chicago, IL: Prickly Paradigm Press.

———. 2008. When Species Meet. Minneapolis, MN: University of Minnesota Press.

———. 2016. Staying with the Trouble: Making Kin in the Chthulucene. Durham, NC: Duke University Press.

Oliveros, Pauline. 2005. Deep Listening: A Composer’s Sound Practice. iUniverse.

New Materialism. Accessed September 28, 2023.

https://newmaterialism.eu. 

Robinson, Dylan. 2020. Hungry Listening: Resonant Theory for Indigenous Sound Studies. University of Minnesota Press. 

Rovelli, Carlo. 2004. Quantum Gravity. Cambridge University Press.

Silva, Denise Ferraira da. 2017. 1 (life)÷ 0 (blackness)=∞−∞ or∞/∞: On Matter Beyond the Equation of Value. Re-visiones. 

———. 2014. Extraordinary times: A preface. Cultural Dynamics, Vol. 26 (1) 3–8 DOI: 10.1177/0921374013510798

Smith, Timothy. 2019. A Queering of Memory, Temporality, Subjectivity: Subversive Methods in Audiovisual Practice. PhD thesis, University of the Arts London.

Voegelin, Salome. 2014. Sonic Possible Worlds: Hearing the Continuum of Sound. New York, NY: Continuum Publishing Corporation.

Witzgall, Susanne, and Stakemeier,Kerstin(ed),. 2015. Power of Material - Politics of Materiality. Berlin, Germany: Diaphanes.

ASSOCIATING

BODY

BOHRING, BOHRFUL

CARTOPGRAPHY

COLLAGE

COLLECTING OBJECTS; GESTURES; SHADOWS

COMPLEMENTARY

CONFIGURING (RE-)

CONTINUITY (DIS/)

CRITICALITY

CUTTING TOGETHER/APART

DIFFRACTION, DIFFRACTING, DIFFRACTIVE

DOCUMENTING

E/MERGE

ENSEMBLE

ENTANGLEMENT

ENTANGLED DREAMING PRACTICE

FOLDING

FROTTAGE, FROTTAGING

GERUND   

GESTURES

GHOSTS

 

HAUNTOLOGY

INDETERMINACY

INTERPRETATION

IMITATING

IMPROMPT, IMPROMPTU, IMPROMPTING

LINE

LISTENING

MANYDIRECTIONALITY

MASS

MATTER

MOBILÉ (URO)

NON/LOCAL LISTENING

NON/LOCAL WALKS

NON/LOCAL WRITING

OBJECT

PARTICIPATORY REALISM

PERMUTATION

POLYPHONY

POSITION (pre-, trans-, super-, ex-, pro-, non-)

 

 

PROTOCOL

REPETITION

RETROCAUSALITY or Backward Causation

SAMPLING (AUDIO, TEXT, OBJECTS, MATERIALS, GESTURES)

SCORE

SHADOW

SPACETIME

SUPERPOSITION

TEMPLATE, TEMPLATING, TEMPLATIVE

THREAD

TRANSCRIBING

TRANSPOSITION

UNCERTAINTY

UNCERTAIN NEWS

URO (MOBILÈ)

WAVE

WALK, WALKING

WEAVING (INTER-; INTRA-)

WOLRDLINE