Arlander, A. (2014) “From interaction to intra-action in performing landscape”. In: Beatriz REVELLES BENAVENTE, Ana M. GONZÁLEZ RAMOS, Krizia NARDINI (coord.). "New feminist materialism: engendering an ethic-onto-epistemological methodology.” Artnodes. No. 14:26-34.


Barad, K. (2007) Meeting the universe halfway. Quantum physics and the entanglement of matter and meaning. Duke Univ. Press, Durham & London.

Barad, K. (2014) Diffracting Diffraction: Cutting Together-Apart. Parallax 20.3:168-185.


Belgrano, E. (on-going project) LESSONS IN THE SHADOWS OF DEATH. An artistic research project on French vocal ornamentation, voicing, acting-intuition and how to perform TRUST.

Belgrano, Elisabeth (2011) “Lasciatemi morire” o faro “La Finta Pazza”: Embodying Vocal Nothingness on Stage in 17th Century Italian and French Operatic Laments and Mad Scenes, ArtMonitor, doctoral diss. Gothenburg, 2011

Belgrano, Elisabeth (2015) Ornamentation based upon More-Than-Human-References: Moving Towards on Ecology of Trust, CARPA4, Colloquium on Artistic Research in Performing Arts, The Impact of Performance as Research, hosted by the Theatre Academy Helsinki, 11-13 June,  Proceeding, (2018-02-01)

Connolly, W. E. (2010) Materialities of experience. In: Coole, D. & Frost, S. (eds) New Materialisms: Ontology, Agency, Politics. Duke University Press, pp. 178-200.

Fast, H (2016) Singing touches shared sensibility. Boldness blog. 15/3/2016. Koneen Säätiö.


Hammarström, M. (2010) Relativism vs Quantum Relationalism - Using Bohr's Concept of  'Phenomena'  for a Relationalist Understanding of Reality. Colloquium on Relativism - Höör, 7-9 May 2010

The Holy Bible, English standard version (ESV), Book of Lamentations 2:8-11, (2017-07-01)

Scholar, Richard (2005) The Je-Ne-Sais-Quoi in Early Modern Europe. Encounters with a certain something. Oxford Univeristy Press.


Spatz, Ben (2017) Embodied Research: A Methodology, Liminalities: A Journal fo Performance Studies. Vol 13, No 2


Thomaidis, K. (2017) Theatre and Voice. Palgrave.


Thomaidis, K. & Butcher, S. (2016) '"The Voice is the Guide to the Experience as Well as tge Experience Itself": An interview with non zero one'. Journal of Interdisciplpinary Voice Studies 1.1:71--84.

Uehara, M. (2009) Japanese Aspects of Nishida’s Basho: seeing the ‘Form without Form’, in: Frontiers of Japanese Philosophy, 4:152-164, (eds Lam Wing-keung and Cheung Ching-yuen), Nagoya: Nanzan Institute for Religion & Culture.