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Mid-Study Presentation 2.10, 15:00, TiP

Lorenzo Orsenigo – Artistic Hacking – a creative, practice-based approach to performance

 
Mid-Study Presentation 2.10, 16:30, TiP

Hugo Vasco Reis – Listening and Mediation: Composing with the Silent Sonic Environment
Keynote 2.10, 18:30, TiP 
(auf Deutsch, online)

Peter Ablinger - Das Unerforschbare
Rigorosum 3.10, 10:00, AULA
 

Daniela Braun – Playing with Resonance

 
Mid-Study Presentation 
3.10, 12:30, TiP, (auf Deutsch)
 
Judith Fliedl – “Das Du im Ich” - Erforschung neuer Konzertmöglichkeiten im Kontext der zeitgenössischen Musik unter dem Aspekt der Involviertheit des Publikums
Rigorosum 3.10, 17:00, TiP
 

Raphael Fusco – Musical Invention And Vocal Idiom: Exploring Expressive Agency And Empathy Through Composition
Recital 3.10, 19:15, TiP

Adela Liculescu, piano – Franz Liszt, 12 Études d'exécution transcendante, S. 139

 
Mid-Study Presentation 4.10, 10:00, TiP

Melody Chua – Identity Borderlands: How Shifting Attentions, Movements, and Control Systems Contribute to Dynamic Agencies in Human-Machine Improvisation Systems—Three Case Studies
Mid-Study Presentation 4.10, 12:00, TiP

Maryam Mehraban – The Piano at the Centre of Cultural Exchange: Performance Practice Between Western and Eastern Music. Huzvaresch by Shervin Abbasi
Mid-Study Presentation 4.10, 15:00, TiP

Po-Yu Wang – Cross-modal Auditory Hermeneutics: A Study of Reconstruction in Theological Texts

 
Rigorosum 4.10, 16:30, TiP

Roxanne Dykstra – Between Fidelity and Invention: The Performer as Transcriber
Keynote 4.10, 19:00, TiP (auf Englisch)

Isabel Mundry - The Gesture of the Memory
Mid-Study Presentation 5.10, 10:30, TiP

Zsombor Sidoo – Eliott Carter, Changes: a Musical Analysis
Rigorosum 5.10, 12:15, TiP 
(auf Deutsch)
 

Adela Liculescu – Extended virtuosity in the Études d'exécution transcendante, S. 139 by Franz Liszt