From threefoldness to multi-foldness by Erika Matsunami

From threefoldness to multi-foldness: On Personal AI in visual arts and its perception in an artwork – What is an artistic authenticity with AI (Technology and which kind of and how) in arts? Thereby I explore practically and theoretically, particularly rethinking of philosophical reflexion on „A thousand plateaus" (Originally published as Mille Plateaux, volume 2 of Capitalisme et Schizophrenic © 1980 by Les Editions de Minuit, Paris.) by Gilles Deleuze and Félix Guattari, with which I've been dealing in my project since 2000 and its rhizomatic developing continuously. Therefore I agree to the approach "Kunst kommt aus dem Schnabel, wie er gewachsen ist." (the title of an art catalog with 11 disability artists) by Mosaik e.V. in Berlin, 2011.

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"A series of series" on elemental time and space, Erika Matsunami, 2017

Collage

A series of series

From threefoldness to multi-foldness, On time, space and body

Same Elements, different conditions, from four to five dimensional space

"A series of series"_01 on elemental time and space, Erika Matsunami, Berlin, 2017

Silberhalogenide, Original Aufnahme von Prof. DSc. (Dr. rer. nat.) Etsuo Fujii, um 1960, Japan

Oben/above: Silberhalogenide, Original Aufnahme von Prof. DSc. (Dr. rer. nat.) Etsuo Fujii, um 1960, Japan

Unten/below: Collage "A series of series"_02 on elemental time and space, Erika Matsunami, Berlin, 2017

Silberhalogenide, Original Aufnahme von Prof. DSc. (Dr. rer. nat.) Etsuo Fujii, um 1960, Japan

Collage "A series of series"_03 on telemental ime and space, Erika Matsunami, Berlin, 2017

Drawing

"A series of series" on organic time and space, Erika Matsunami, 2017–2019

Collage

Drawing

"A series of series" on biologic time and space, Erika Matsunami, 2019–

Drawing

Collage

Page 4: Exploring theoretically

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