"E quando mai potrò cessar di piangere ?"


       An exploration of the links between arias with obbligato

          instruments and musical affects in Antonio Caldara’s

               oratorios composed between 1716 and 1736 for

                 the Habsburg’s Hofmusikkapelle in Vienna

Maud Haering

Baroque Singing


March 2021

Research Exposition


April the 13th 2021

Koninklijk Conservatorium Den Haag

Research Supervisor:

Dr. Inês de Avena Braga

Masters Circle Leader:

Bart van Oort

Main Subject Teachers:

Rita Dams, Francesca Aspromonte, Peter Kooij and Robin Blaze