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contents
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Introduction - Research Aims
- Recording Equipment - Software Used and Purpose of Use
- Recording Equipment (Images)
- Icarus (2014): Introduction - Compositional Analysis
- At the airport
- At the studio
- Icarus and Toupie Dans Le Ciel
- Time Travel (2016): Introduction - Description - Characteristic key-elements, sound types, textural/gestural motions and spectromorphological concepts
- Time Travel: The function of Sound Blocks - Relating Past, Present and Future
- At "Haghia Sophia" Church
- Land of the Sirens (2017): Introduction - Repertoire Study - Section 1: Compositional methodology and analysis Section 1: Overview of structure and sound types -
- Entwistle Reservoir
- Land of the Sirens: Section 2: Supplementary Repertoire Study - Land of the Sirens - Section 2: Overview of sound types and behaviours
- The Floghera
- Land of the Sirens: Section 2: Structural Analysis - Section 2: The Subsections - Distribution of sound objects in Sections 1 and 2.
- Homer "The Odyssey": Book XII - Rhapsody M
- Conclusions
- Bibliography
- Discography
- Programme Notes
- Performances
- Performances Photos
- Biography
- Contact Details
- Epa Fassianos
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abstract
My research investigated the practicability of diverse electroacoustic music compositional approaches which were applied in a series of works that explored specific relationships between real-world and abstracted sound materials, through the strategic use of pitched, melodic and non-pitched materials (and specific characters and behaviours of those materials) as integral elements in the compositional process. All compositions were related to Greece at many different levels, in direct or symbolic ways. My main aim was to explore all of these different levels in a musical way via electroacoustic music and to present transformed aspects of Greece. In addition, I attempted to explore new electroacoustic music territories by undertaking a journey from real-world instrumental and concrete soundworlds based on aspects of Greek culture (religion, mythology), towards abstract soundworlds. Real-world soundworlds consist of sounds, spaces and places that can potentially communicate human experiences: familiar impressions, aural images and evocations for the listener. Abstract soundworlds that emerge from real-world ones through various transformation processes also consist of particular sounds, spaces and places which can be very different compared to the ones emerging from real-world soundworlds. Developing innovative techniques and processes that explore the intersections, contrasts, connections and discourse between the two was my main overall aim.
- Epa Fassianos - INVESTIGATING THE IMPACT OF ELECTROACOUSTIC MUSIC IN GREEK CULTURE, THROUGH A PORTFOLIO OF ELECTROACOUSTIC MUSIC WORKS WHICH EXPLORE RELIGIOUS AND MYTHOLOGICAL ASPECTS OF GREECE. - 2021
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