References

 

Architecturality: Architectural Inter-Modalities,

<https://architecturality.wordpress.com/2010/09/03/architecturality/> [accessed 14 August 2021]

 

Artist Rooms: Phyllida Barlow, 

<https://www.artistrooms.org/rooms/phyllida-barlow> [accessed 14 August 2021]

 

Bal, Mieke, Louise Bourgeois’ Spider: The Architecture of Art-Writing (Chicago: University Of Chicago Press, 2001)

 

Barlow, Phyllida, Objects for... and Other Things (London: Black Dog Publishing, 2003)


——, Text for untitled: molotov, 2015 in FOUND: An Exhibition Curated by Cornelia Parker (Foundling Museum, London, 27 May–4 September 2016)

 

Butler, Judith, Excitable Speech: A Politics of the Performative (New York & London: Routledge, 1997)

 

Clarkson, Hannah, Interviews conducted at Konstfack Spring Exhibition 2017, Stockholm, 11–21 May 2017


——, The Pleating Papers (Parts I-X), Audio, image and text, 2017

 

Connor, Steven, Beyond Words: Sobs, Hums, Stutters and Other Vocalizations (London: Reaktion Books, 2014)


——, Building Breathing Space, lecture, Bartlett School of Architecture, London, 3 March 2004, <http://www.stevenconnor.com/bbs> [accessed 30 November 2016]

 

Gysin, Brion, Back in No Time: The Brion Gysin Reader (Middletown: Wesleyan University Press, 2015)

 

Jackson, Paul, Complete Pleats: Pleating Techniques for Fashion, Architecture and Design (London: Laurence King Publishing, 2015)

 

Kelsey, John, ‘Escape from Discussion Island’, in Rich Texts: Selected Writing for Art (Berlin: Sternberg Press, 2010), pp. 87-98


——, ‘Our Bodies, Our Shelves’, in Rich Texts: Selected Writing for Art (Berlin: Sternberg Press, 2010), pp. 129-131

 

Krauss, Rosalind, discussed in Nicky Hamlyn, Film Art Phenomena (London: BFI Publishing, 2003)

 

Merleau-Ponty, Maurice, Phenomenology of Perception (London: Routledge, 1962)

 

De Waal, Edmund, The Hare with the Amber Eyes: A Hidden Inheritance (New York: Random House, 2011)

Image List


Phyllida Barlow, untitled: upturnedhouse, 2, Softwood, plywood, hardboard, steel, expanded polyurethane foam, cement render and paint, 2012


Louise Bourgeois, Spider, Steel, tapestry, wood, glass, fabric, rubber, silver, gold and bone, 1997


Hannah Clarkson, After the Dance, Steel, wood, feathers, fringing, 2017, 100 cm × 200 cm × 60 cm


Hannah Clarkson, Cork Blimey!, Roofing felt, silk thread, synthetic hair extensions, 2016, 60 cm × 80 cm × 30 cm


Hannah Clarkson, Origami Simulator 2, GIF, 2021


Hannah Clarkson, Pleating, GIF, 2020


Hannah Clarkson, So Clear It Clouded Secrets, Copper oxide patinated zinc, mirror glass, steel, tin, 2017, 80 cm × 120 cm × 80 cm


Hannah Clarkson, The Pleating Papers (Parts I-X), Digital photographs, 2016


Hannah Clarkson, Thieving Words from the Very Walls of Amsterdam, Zinc, wood, velour, faux leather, 2017, 160 cm × 160 cm × 60 cm


Hannah Clarkson, Untitled (Work in Progress), Roofing felt, silk thread, 2016


Hannah Clarkson, We Call Out to the Rooftops, You are Warned, Roofing felt, silk thread, zinc, copper nitrate, 2017, 80 cm × 200 cm × 80 cm


Hannah Clarkson, You Are Very Kind, But There Must Be Some Mistake, Roofing felt, artificial hair extensions, silk thread, 2017, 80 cm × 80 cm × 100 cm


Paul Jackson, Pleat diagram taken from Complete Pleats: Pleating Techniques for Fashion, Architecture and Design (London: Laurence King Publishing, 2015)