ACKNOWLEDGEMENTS
We wish to extend our gratitude to the Faculty of Fine Arts, Music and Design (Grieg Academy, Centre for Grieg Research) at the University of Bergen and the Norwegian Artistic Research Programme for funding the project.
We also want to thank external contributors and collaborative partners: Darla Crispin, Catherine Laws, Bente Elisabeth Finserås, Nina Malterud, Elizabeth Astruc Røttingen, Vibeke Tellmann, Isabel Odriozola, Davide Bertolini, Jonas Magnussen, Henrik Skauge, Jørn Pedersen, Vladimíra Ščigulinská, Oddhild Nyberg, Carmen Bóveda, John Hegre, Ketil Mosnes, Annabel Guaita, Ragnhild Kjølberg, Marketa Stefkova, Gyri Tveitt, LAWO Classics (Vegard Landås and Thomas Wolden), Jostein Gundersen, Hans Knut Sveen, Thorolf Thuestad, Birk Nygaard, Trond Madsen, Ole Jørgen Furdal, Monica Jangaard, Geir Botnen, Haukeland University Hospital staff, Academy of Performing Arts Bratislava, Edvard Grieg Society of Ukraine, International Edvard Grieg Society, Edvard Grieg Society of the Great Lakes, Tbilisi State Conservatoire, University of Indianapolis, Goshen College, University of Washington, Modern Music Ensemble, Pacific Lutheran University, Seattle Modern Orchestra, Nordic Museum (Seattle), Edvard Grieg Society of the Northwest, Bergen Municipality (Bergen Kommune), Norwegian Academy of Music (Norges Musikkhøgskole), KODE (Art Museums and Composer Homes), Sveio Municipality (Sveio kommune), Ny Musikk Bergen, Avgarde (concerts series), Hardingtonar (festival), Borealis Festival of Experimental Music, BIT20 Ensemble, Ensemble Lucilin (Luxembourg), Bergen International Festival (Festspillene i Bergen), Ballade, NRK (NRK 2, NRK P2), DR P2, BBC 3, Bergen Public Library, Musikproduktion Hoeflich/Amethyst Edition, University of Oslo Library, National Library (Nationalbiblioteket), Angelo Rondello, Julia Tai, Laura Loge, Lori Ann Reinhall, Cristina Valdés, Pacific Lutheran University Orchestra, Svend Rønning, Jeffrey Bell-Hanson, EEA Grant and Norway Grants, and Bergen Centre for Electronic Arts.
