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„point in time - 時点、今を確認する" – we substantiate this moment, time is not linear and a continual dot..., is an artistic research project which creates a connection between the presentation of physical art works, lecture (artist talk) with three thematic parts and the exhibition (re-presentation) with kind support of berlinerpool in the studio at Aqua Carré Berlin and at the office of berlinerpool in 2013. This paper is a summary of "POINT IN TIME" in 2013 and a contemplation about arts and cultures in our contemporary society. The three topics "IDEA-Prefiguration", "performative-open system" and "Untitled-semiotics as personal code" will be summarized by the art works of artists; Márcio Carvalho, Eduardo da Conceição, Emma Waltraud Howes, Charlie Jouvet, Erika Matsunami, Enda O’Donoghue. It's a matter of the art works of artists which represent "time and space" in cognitive processes with different techniques and medium: from painting to performance up to multimedia. This basic theme "time and space" was taken up in the exhibition (re-presentation) on materiality and aesthetics, and to substantiate the cultures as background of artists and identity as well as individuality in our contemporary global society.
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The Real Health Center is the world's first performance with scientifically proven health benefits. The Real Health Center combines new live art, high-level scientific research and an enchanting performance whose value can be judged with clear scientific indicators. In other words: Finally a performance that clearly articulates what good it does for you.
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My doctoral research, "Scenic Imagination - Method of Inner Stage. A phenomenological approach to psychophysical acting", focuses on the work of the stage actor creator - on his/her inner life. Scenic imagination is approached from both artistic performances and phenomenological research. The hypothesis is that, prior to a performance, “the stage” can be constructed inside the actor/performer. From my experience as an actor/performer, I describe an alternative conceptualization of contemporary performance work, based not on acting as representation, but as a work taking place in inner bodymind. In the acting method to be developed, the bodily felt sensations and mental pictures form the 'score' of the performance. This phenomenon can be called “The Inner Stage”.
comments: 1 (last entry by Ninel Cam van Chapull - 12/03/2014 at 13:31)

recent comments

Research: INVISIBLE MATTER OF FINE ART (15/10/2013) by Zygmunt Piotrowski
Zygmunt Piotrowski 10/04/2014 at 21:48

compare: http://www.noahwarsaw.pl/

Research: Great breathing, Great Music (12/02/2014) by FRancisco José Leal Velada Couto
João Diogo Rosas Leitão 14/02/2014 at 17:46

Caro Francisco,

 

Agora que já és meio mestre, vê lá se já sabes esta:

 

Qual é a parte de trás de um chaparro?

Research: Located Identity: Finding the Mallee (2013) by Dominic Redfern

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Portals The research catalogue serves:
Journal for Artistic Research
a peer-reviewed international journal for all art disciplines
Koninklijk Conservatorium Den Haag
Research Portal of the Royal Conservatoire, The Hague
Norwegian Artistic Research Programme
The portal of the Norwegian Artistic Research Programme
Ruukku
Taiteellisen tutkimuksen kausijulkaisu / Studies in Artistic Research
University of Applied Arts Vienna
RC portal of the University of Applied Arts Vienna
Journal of Sonic Studies
A peer-reviewed, international journal on sound studies and auditory culture
Academy of Creative and Performing Arts
Portal of the Academy of Creative and Performing Arts, Leiden University