Researchers

Eleanor Gates-Stuart
Bio-Portraits
Karst de Jong
Music Theory, Improvisation, Harmony, Analysis, Composition, (collaborative) Creation
Cheryl Akner Koler
haptic, aesthetic abstractions, creative collaboration, cross-disciplinary, intradisciplinary, applied aesthetics, sensitizing labs
Linda H. Lien
visual communication, community, place, identity, belonging
Kjetil Traavik Møster
music, jazz, artistic research, interplay, electronic music, KMD_Grieg
Carmen Raffaela Küster
circus, performance, design thinking, aerial acrobatics, Body Mind Soul, body & object relationship, nature, trees
Helga Schmid
Time, Chronobiology, Sociology, Psychology, performance, design=art=research
Cecilie Michelle Le Divenah
production process, school
Marc Johnson
alter-history, alternative futures, Archival custody, archival film practice, Archival re-montage, archive fever, archives, artist estate, Artist estate practices, Black art, Black visual culture, Counter-archive, counter-history, counter-narrative, custodial future, custodial futures, decolonial custodianship, Diaspora, Memory and materiality, Mourning, Mourning and archival loss, Post-custodial archives, post-mortem, Practice-based artistic research, Radical Black imagination, Rehearsal as research, Speculative fabulation, submerged mother, Textile art, Textile-based research, tidal form, Tidalectic historiography, Tidalectics, Weaving as methodology, what if history, alter-history, alternative futures, Archival custody, archival film practice, Archival re-montage, archive fever, archives, artist estate, Artist estate practices, Black art, Black visual culture, Counter-archive, counter-history, counter-narrative, custodial future, custodial futures, decolonial custodianship, Diaspora, Memory and materiality, Mourning, Mourning and archival loss, Post-custodial archives, post-mortem, Practice-based artistic research, Radical Black imagination, Rehearsal as research, Speculative fabulation, submerged mother, Textile art, Textile-based research, tidal form, Tidalectic historiography, Tidalectics, Weaving as methodology, what if history
Elina Akselrud
music, interpretation, interpretation analysis, collaboration, multidisciplinary, performance, performing arts, multidisciplinary art, Crossover, cross-disciplinary, cross-genre, musical expression, crossdisciplinary, crossdisciplinary art, scriabin, Chamber music, chamber ensemble
Jonathan LARCHER
Visual Anthropology, media archeology, Sound, archives
Martin Høybye
Songwriting, Arts-based Research, Ethnography, Embodiment, Phenomenology, Collaborative songwriting, Autoethnography, Methods development, Theories of artistic practice
Nina Goedegebure
art, science and art
Richard Mills
tipping point, abstraction, representation, blocking, viewer engagement