Eugene A. Kim
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Mike Croft
perception, drawing, artwriting, Painting, autofiction, drawing research, language-based practice
Tatjana Macic
artistic processes, writing, theory, performance, institutional critique, education, laguage
Ji Youn Kang
sound art, electroacoustic music, electronic music, experiential composition
Matilde Meireles
Extended listening, Interconnectivity, interdependence, Documentation as a creative tool, Participation and collaboration
William Platz
drawing, drawing research, performance, life drawing, artist's model, portraiture
Udo Maria Fon
perception, cognition, field of perception, rooms of perception, information rush, digitality, poetry, data entity, dada, dataism, social entropy, social resonance, metacognition
Jaakko Ruuska
empathy, interdisciplinarity, live art, SITE-SPECIFIC ART, site-specificity, Virtual, visual art, video performance, Participatory Art, experimental film, transdiciplinarity, Spatial Practice, writing as practice, politics of memory, Poliittinen taide, dissensus, sensuous experience
Uwe Steinmetz
Jazz, postsecularity, religion and music, Lyricon, electroacoustic music
Niclas Hundahl
posthumanism, aesthetics, Body, music, technology, Music analysis, Music history
Andrew Champlin
dance, visual art, participatory spectatorship, technique, music aesthetics
Liz Rech
movement, social movements, aktivism, affect, choreography and performance
teresa luzio
performance; walking; visuality; performance documentation