Lauren O'Neal
curation, pedagogy, experimentation, architecture, dance, museums, galleries, academia, artistic research, process, interdisciplinarity, choreographic thinking, open-endedness, poetics, co-imagining, installation, invisible research, curatorial dramaturgy
Mike Croft
perception, drawing, artwriting, Painting, autofiction, drawing research, language-based practice
Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Elina Seye
ethnography, performance, embodiment, dance, music, Senegal
Nathan Jones
new media, glitch, distributed critique, media theory, literature, poetics
Ali Mousavi
architecture, urban space, Soundart, practice-based research
Anders Holst
music, artistic research, improvisation, composer as performer, intuition, embodiment, object-body relationship, spatiality, tactility, transcendence, philosophy, methodology, phenomenology, aesthetics, time
Marianne Baudouin Lie
music, contemporary music, microtonal music, presence, performance, performing arts, embodiment, Entrepreneurship
Karl Salzmann
Soundart, Grammophonmusik, turntables, Soundsculpture, materiality, recording technique, Graphical scores
Victoria Oftestad
historically informed performance, acting, singing, theatre, theater