Research Catalogue

research expositions

• 
  The Art of Design: from philosphy to practice (2020) author(s): Kathryn Jane Moore published in: Research Catalogue
  This exposition sets out evidence of the research undertaken over the last decade to understand the implications beyond the academy of the new paradigm presented in ‘Overlooking The Visual: Demystifying the Art of Design’ (2010), leading to ‘Towards New Research Methodologies in Design: Shifting Inquiry Away from the Unequivocal Towards the Ambiguous’ (2018). The exposition shows the process of developing ‘The Art of Design’ at a regional scale through a number of sequential case studies. Requiring investigative and analytical drawing from a position of knowledge and the reimagining and re-presenting of places in order to rekindle and reinvent the connection between communities and the space they inhabit, recognising the pride people take in that space, its cultural identity, be it urban, suburban or rural, is very much a modern, contemporary view of how our landscapes work. The ideas expressed in the visual narratives have engaged a wide range of decision makers and are shifting perceptions, planning policy and practices at a local, national and international level.  The student work exhibited in 2019 (BCU) explored the spatial implications of the ethos of the West Midlands National Park focused on specific locations and was vital in persuading key regional and national stakeholders of the significance of this new approach. This predominantly visual exposition presents the transformative practice-based research process manifest as visual artefacts from philosophy to practice interrogating the art of design.
  open exposition comments (0)
• 
  The Art of Design: Seeing The Bigger Picture (2024) author(s): Kathryn Jane Moore published in: Research Catalogue
  Using words and images referencing nature and culture, this research investigates the process and impact of creating spatial visions for ‘seeing the bigger picture’ in order to inform the transformation of regions. The researcher’s work explores radical mapping as an analytical and artistic tool, which has led to the development of a sequence of case-studies, exhibitions, richly illustrated presentations, publications, new policies, mentoring, student collaboration and an infrastructure of stakeholder engagement. Across this powerful and varied range of outcomes the research has situated a new cohesive and integrated landscape-led approach which transforms the physical materiality, ideas, memories and visions of the future in order to shape the experience we have of place as the social, physical and cultural context of our lives. This research crosses professional and disciplinary boundaries using artistic, landscape and geographical expertise to re-evaluate the assumptions underlying practice-based research inquiry and the relationship between landscape and philosophy. It represents a significant shifting of methodology, away from the dominant scientific/social science paradigm, towards an approach that is deliberately more ambiguous and interpretative. The methods require an understanding of perception as intelligence and define landscape as the relationship a community has with its territory. The research thus seeks to address whether ideas can transform a region, and if so, how? The research has led to an extraordinary number of high-profile outcomes spanning academic and public arenas. This includes peer reviewed papers, numerous exhibitions and developmental publications. In addition, it has informed the policy and ‘landscape-architecture’ thinking used by HS2 in the development of its pioneering West Midlands National Park, which underpins the West Midlands Combined Authority’s current sustainability agenda; directed long-term socioeconomic and environmental regeneration in the Black Country; and informed a UNESCO International declaration. Details of the research and publications are in the Research Catalogue exposition.
  open exposition comments (0)