Priska Falin
Ceramic practice, aesthetic experience, embodied cognition, method and theory, material experience, sense perception, metaphor, Subtle body, meditative process
Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Christopher A. Williams
Experimental music, improvisation, notation, phenomenology, Fluxus, sound and space, music, music aesthetics, ethics, ethico-aesthetics
Niclas Hundahl
posthumanism, aesthetics, Body, music, technology, Music analysis, Music history
Manoela dos Anjos Afonso Rodrigues
Visual Arts, Autobiography, Decoloniality, arts-based research, practice-based research, practice as research, artistic method, methodology, socially engaged art, Transpedagogy, interdisciplinarity, transdiciplinarity, multidisciplinary, postdisciplinarity, Narrative Research, Oral History, family archives, Life writing, Life stories, Diary, Correspondence, Archive, Memoir
Thomas Grill
Media Arts, Experimental music, Sound Art, improvised music
Sergio Montero Bravo
artistic research, art, design, architecture, ecologies, rural encounters, education
Paola González-Vargas
performance, soundscape, sound narrative, aesthetics, Aesthetics and Theory of Arts, technology, Technology Culture, Artificial Intelligence (AI)
Julia Fromm
Factual and Fictional Narration, Resilience, Performance art
Sarah Bennett
archives, artistic research, site responsive practices, Fine Arts, affect, Higher education in the Arts
Šárka Zahálková
art, participation, soundscape, ecofeminism, engaged listening, field recording, posthumanism, acoustic ecology