Ivar Grydeland
improvisation, music, Music Education, Human-machine-Interaction, music technology
Misha Penton
voice, postopera, experimental voice, devised performance, improvisation, poetics, mythopoeia, classical reception, Greek Mythology, fairytale
Till Ansgar Baumhauer
War trauma, depiction of violence, art, interdisciplinarity, interculturalit, visual culture, Afghanistan, conflict transformation art
Paola Tine
Visual Anthropology, Semiotics, Social Anthropology, Phenomenology
Georgios Varoutsos
Soundscapes, soundwalking, urban space, immersive technologies, acoustic ecology, auto-methodologies, covid-19, field recording, field research
Tim Sayer
Music Performance, improvisation, music cognition, live electronics, Music Psychology
Helen Roberts
historically informed performance, musicology, Music pedagogy, digital and personal technologies
Anders Holst
music, artistic research, improvisation, composer as performer, intuition, embodiment, object-body relationship, spatiality, tactility, transcendence, philosophy, methodology, phenomenology, aesthetics, time
Julia Fromm
Factual and Fictional Narration, Resilience, Performance art
Katy Beinart
socially engaged art, practice-based research, artistic research, art education, art theory, art, artistic processes, Spatial Practice, place, memory, heritage, materiality, poetics
Giselle Hinterholz
Visual memory, symbolic body, fragmented identity, aesthetics of abjection, artificial intelligence, textile installation, experimental photography, poetic resistance.