Scylla’s Opulent Noise Generator (S.O.N.G.)
(last edited: 2024)
author(s): Scylla’s Opulent Noise Generator (S.O.N.G.)
This exposition is in progress and its share status is: visible to all.
Scylla’s Opulent Noise Generator (S.O.N.G.) is a collective of multi-disciplinary artists living and working in different time zones. S.O.N.G. believes in collectivity to build worlds and imagine art for the future. SONG’s core members are Rut Karin Zettergren (FI), Choterina Freer (U.K.) and Anna Kinbom (SE).With three core members, they regularly expand the framework: inviting multiple artists into their polymorphic practice.
S.O.N.G.’s art practice takes many forms such as: collective drawing and writings; video installations; game creation; performances; seminars; and rituals. Past exhibitions and performances include BFI London Film Festival, Woven Places, AR-exhibition by Swedish Art Associations, Futureless Festival in Stockholm, Tallinn Feminist Forum, and Work Hard! Play Hard! Minsk. With 0s+1s Collective (2013-19) which focus was cyberfeminism they exhibited in Casa Victor Hugo, Cuba, Södertälje konsthall, Göteborgs konsthall and Gotlands Konstmuseum.
Samtale med Arely Amaut og Tatjana Kolpus
(last edited: 2024)
author(s): Sigrid Espelien
This exposition is in progress and its share status is: visible to all.
Denne siden har utdrag fra en samtale og er en refleksjon av et samarbeid jeg hadde med Tatjana Kolpus og Arely Amaut fra 24. mai til 7. juni 2024. Vi ville utforske måter å tilnærme oss leirelandskapene med respekt og gode intensjoner, basert på praksiser og kosmologier fra våre forskjellige bakgrunner. Arely og jeg besøkte alle leirelandskapene og ble enige om å konsentrere oss om Bryn ved Alnaelva. Vann og elver og dens betydning for forskjellige lokalsamfunn i Lima er noe Arely jobber med i sin egen praksis, og hun har mange erfaringer og kunnskap å dele.
Dorsal Practices — Towards a Back-Oriented Being-in-the-World
(last edited: 2024)
author(s): Emma Cocker, Katrina Brown
This exposition is in progress and its share status is: visible to all.
This exposition forms part of a journal article, Katrina Brown and Emma Cocker, 'Dorsal Practices — Towards a Back-Oriented Being-in-the-World’, in Tara Page (ed.) With–In Bodies: Research Assemblages of the Sensory and the Embodied, Special Issue of Humanities 2024, 13, 63. https://doi.org/10.3390/h13020063
The article itself can be found here - https://www.mdpi.com/2076-0787/13/2/63
Muestra de obra tesis doctoral
(last edited: 2023)
author(s): Federico Eisner Sagüés
This exposition is in progress and its share status is: visible to all.
La muestra despliega los resultados de la colaboración sonora con los poetas sonoros Luis Bravo y Pía Sommer durante el transcurso de mi investigación doctoral.
La muestra se estructura según los modos de colaboración, y los audios y videos se consideran los registros de una constelación de colaboraciones en torno a la las prácticas vocales, que excede a nuestras agencias humanas, incorporando también la agencia material de la tecnología y de nuestros círculos artísticos. En las intervenciones electroacústicas se trabajó a distancia sobre poemas sonoros previamente fijados por los poetas. Para las colaboraciones performáticas se incorporó el uso de instrumentos y efectos en vivo, y el trabajo a dos voces. Se trató de dos encuentros con cada poeta entre diciembre de 2019 y agosto de 2021 en Chile, Uruguay y España. La muestra incluye también las entrevistas realizadas a ambos poetas y las bitácoras de trabajo durante los encuentros. Por último, también se incluye una sección de archivo de la circulación artística y académica que ha tenido este trabajo.
Mäanderungen
(last edited: 2023)
author(s): Hanns Holger Rutz, Nayari Castillo-Rutz, Miriam Raggam, Reni Hofmüller
This exposition is in progress and its share status is: visible to all.
Acoustical surveys of the city. An experimental radio piece.
The spatial design of a city seems to dictate who moves around in it and how. Mäanderungen (“meanderings”) is an acoustic suggestion for developing alternative forms—in real, physical space; in electronic, radiophonic space; and in the imagination. Meanders are created by friction, by the sensing of irregularities, between depth and surface, in motion. The exploratory process developed by the temporary production collective corresponds to a form of walking, being and moving in the city that arises in the here and now, free from purpose, and that is individual, subjective, and inquiring. Peculiar views of the urban space are made possible—unusual, temporary units of measurement introduced. Part of the material created is based upon an interpretation of different spatial realities such as facades or gaps. They are photographed, drawn, captured by sensors or pressure and combined with text fragments to create a composition that manifests both as a radio drama and in the form of a spatial installation. The translation process is driven mainly by an algorithmic generator that is constantly allowing new coincidences.
Mäanderungen was the winning project of the lime_lab 3 prize for experimental radio play. lime_lab is a cooperation of Akademie Graz, Forum Stadtpark, Literaturhaus Graz, ORF Steiermark, and steirischer herbst.
Passions of Utopia
(last edited: 2023)
author(s): Johannes Rydinger, Nicia Ivonne Fernandez Grijalva, Yasmin Henra van Dorp
This exposition is in progress and its share status is: visible to all.
The Passions of Utopia is a collaborative artistic research project exploring futuremaking and storytelling through the lens of a 360-camera and telenovela tropes.
By using the cynical, plastical and exaggerated form of the telenovela we are trying to explore themes such as future, desire and truth.
Part of the process led to a 20 minutes VR-experience where the audience can take part in a immersive telenovela. It was also showed at ETC Solpark as a part of the interdisciplinary exposition and publication Awesome Arrarat
Throguh a web of different methods, where classic film production work flows and 360-action camera filmmaking is weaved together with site specific installations, we also want to explore narratives that contribute to fiction storytelling through VR in a playful way
The team consists of Yasmin Van Dorp, Nicia Fernández and Johannes Rydinger, students at the masterprogram The Art of Impact at Stockholm University of the Arts
Collaborative Music Creation
(last edited: 2022)
author(s): Karst de Jong
This exposition is in progress and its share status is: visible to all.
COLLABORATIVE MUSIC CREATION: leading conservatory students in musical creation processes
This research is about the development of active autonomous creativity among conservatory students in classical departments. In this exposition I will discuss the nature of collaborative creation processes, and critically investigate my own role as a coach and facilitator of these processes in order to better understand how ideas are being generated, developed and ultimately shaped into a performed piece. The investigation will be illustrated with a selected number of projects I have been involved in during the years 2017-2020.
CAAJ
(last edited: 2022)
author(s): Andrea Keiz
This exposition is in progress and its share status is: visible to all.
Choreographic art as a journey
Worlds Connected (Bachelor's project)
(last edited: 2022)
author(s): Kärt Tambet
This exposition is in progress and its share status is: visible to all.
Worlds Connected is Kärt Tambet’s bachelor project and thesis that weaves together aspects of her own roots, experiences, and ideologies of life. The work is inspired by reflecting on the different ways of understanding and interpreting the world, and the ways in which our own world may connect with other surrounding worlds through music making and even in everyday life.
Hinterlands - Between Worlds exhibition
(last edited: 2021)
author(s): Jim Harold, Susan Brind
This exposition is in progress and its share status is: visible to all.
'Hinterlands' for the exhibition 'Between Worlds'
Renmin University of China, Beijing, 2015
The installation, ‘Hinterlands’, comprises two related elements: a wall painting with vinyl text; and four unframed photographic digital prints arranged on adjacent walls.
The wall texts are taken from a mixture of diary notes and descriptions of photographic images made by the artists, Brind & Harold, over a number of years whilst on research journeys. The texts are not chronologically ordered but, instead, are intended to be read as a series of text-images. Through typographic layout and proximity, the texts become interrelated whilst not being the direct traces of a linear journey or journeys. Rather, they tell of the small moments of travel and experience (un-photographable in some cases) that act as the truer registers of a journey; whether that journey is outwardly bound or inwardly focused. As a result the work seeks to allow these events and the phrases used to account for them to become liminal spaces - thresholds or hinterlands - through which the viewer's own imagination may engage with the artists’.
The photographs of desert space, details of the desert floor taken in the Egyptian a Desert, are similarly intended as the traces of real events and locations, while providing ambiguous spaces of reading and meaning.
Critique and the Cypriot Summer / Kral çıplak / Ήνταμπου κάμνουμεν δαμέ;
(last edited: 2017)
author(s): Chrystalleni Loizidou, Marinos Houtris
This exposition is in progress and its share status is: visible to all.
About this project
output from Critique and the Cypriot Summer,
an artist residency in the village of Lofou
4/7/2016 - 9/7/2016
with
Nurtane Karagil
Hayal Gezer
Marinos Houtris
Chrystalleni Loizidou
Invited by
Xarkis & Confrontation Through Art
with the support (in no special order) of
NIMAC
NeMe
ARTos
Re Aphrodite
Point Centre for Contemporary Art
Pater Theofanis
...