When GPT Digested the Medium Hélène Smith
(2024)
author(s): Katerina Undo
published in: HUB - Journal of Research in Art, Design and Society
Exploring synergies between the study of the medium Hélène Smith at the turn of the 20th century and contemporary notions of subjectivity, artificiality and intelligence in the age of AI, the question of locating intelligence will not be a question with a binary answer in this paper. It will be shifted to multiple sites in an assimilative assemblage, exploring how identification might work from a rather metabolic side of the conversation. Weaving a thinking continuum on the evolving human-machine complexes beyond circular debates, Hélène Smith's ambiguous Martian writings are fed into GPT; an act intended as a metaphor and method for overcoming our binary contradiction of intelligence as either “natural” or “artificial”, ultimately generating new subjectivities, fluid variables or even contradictory insights. In this context, a meditation with speculative moments is attempted through human-machine inter-written texts, enacted through inter-twined speeches that reciprocally represent and interpret their own transitive nature.
The poetics of autopoiesis: visual arts, autonomy and artificial intelligence.
(2024)
author(s): bruno caldas
published in: University of the Arts Helsinki
This exposition contains the manuscript and artistic components of the doctoral research project "The poetics of autopoiesis: visual arts, autonomy and artificial intelligence."
The project aimed to explore the limits of creative autonomy in face of recent developments in generative visual artificial intelligence.
DIGITAL RITES and EMBODIED MEMORIES
(2022)
author(s): Elena Giulia Rossi
connected to: EU4ART_differences
published in: Research Catalogue
Creativity at the crossroads of Neuroscience, Artificial Intelligence, Gaming, Alternative Economies, and Humanism, will be discussed by leading voices from the international scene at DIGITAL RITES and EMBODIED MEMORIES, EU4ART_differences Doctoral Summer School.
A group of researchers from different European capitals will meet in the Monastery of Casa San Silvestro in Monte Compatri (Rome Province) for an intensive program that will take them, and their research, to the limit between physical and digital space.
Since the talks and workshops organized by The Fine Arts Academy of Rome mean to contribute on the currently relevant debate on art practice and new technologies, the series of webinars will be free and open to the public through a registration link.
B.O.D.Y. - the second skin
(last edited: 2025)
author(s): Erika Matsunami
This exposition is in progress and its share status is: visible to all.
Abstract:
The artistic research project "B.O.D.Y. - the second skin" (2023) explores the topic of correspondence for a new topic in theory and its material in art for the question of creativity in practice.
The artistic research method is an articulation of the spaces a, b, c, d, x, y, which is methodically explored.
"Space x" is a reflection of B.O.D.Y. - the second skin on the subject of correspondence, and "Space y" is a theoretical exploration of the theory of post-feminism.
This artistic research project "B.O.D.Y. - the second skin" (2023) is the research detail and advanced exploration of the artistic research "B.O.D.Y. (2010) - between auditory fiction and body reality.
The art project "B.O.D.Y. - the second skin" (2023) deals with issues of intersemiotic transposition in the transformative processes between different artistic media.
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