Research Catalogue

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  Six Formats (2018) author(s): ingrid cogne, Tobias Pilz published in: Research Catalogue
  The arts-based research project Six Formats (February 2015 - June 2018) analysed various formats commonly used in relation to arts-based knowledge articulation and/or communication in the present day: publication, exhibition, symposium, lecture-performance, screening, and workshop. Six Formats created situations of dialogue in, on, and between each of its formats. Six Formats facilitated co-processes of ongoing self-reflection and re-articulation aiming for reciprocal attentiveness to the respective needs of the project, its partners, and co-researchers. Six Formats was funded by the Austrian Science Fund (FWF, PEEK, AR291-G21) and hosted by the Academy of Fine Arts Vienna.
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• Wormhole Workbook (2018) author(s): Mariana Nobre Vieira published in: Research Catalogue
  301 Research Semester Workbook SODA MA HZT/UDK Berlin April - July 2018
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  HISTORY NOTEBOOK (2018) author(s): Patti Fraser, Flick Harrison published in: Research Catalogue
  The question: whom do you walk with? Was put to me as a way to reflect on the history of my practice as a community engaged artist over the last part of the twentieth century living on the west coast of Canada. This interactive research space is an attempt to respond to an alternative notion of history and the influences on this art form over the course of thirty years. It also seeks to acknowledge the communities of people this art practice allied itself with. These people and their communities often lived outside and beyond the margins of the national narrative of history and its parade. It is my hope this site offers a pedagogical space that invites students, researchers, educators, artists, and others to consider the questions that populate and characterize socially engaged arts practice and arts based research. The author’s reflections and writings captured at the roots of this reflection range from videos, poetic inquiry, reports, and scholarly essays on the nature of my experience of working in this field.
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• Yutra (2018) author(s): Charlie Dance published in: Research Catalogue
  The history of Yutra
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• Gatherings (2018) author(s): Annelies, Alice De Smet published in: Research Catalogue
  ‘Gatherings’ are the second level of operation of the doctoral study ‘Architecting Bodies by Immersive Gestures’. The first level of operation is called ‘responsive walking’ and is of direct embodied immersion of the author/learner’s bodymind while looking for the mess in urban environments and adopting a micro-perspective by means of walking and embodied creation. The second level departs from the assumption that embodied immersions in mess by responsive walking are desettling and urge sense-making. By creating video-assemblages, performance-lectures and conversation pieces processes of embodied sense-making are explored. Thereby, the challenge is to avoid the pitfalls of quick dichotomic, hierarchic and disembodied understandings of bodymindly engaging with the environment. To resist slipping into these categories – that are so readily present when sense-making is discursively elaborated – the notion of ‘pregnantness’ and the notion of a ‘propelling hypothesis’ are proposed. The former is a bodymind state that allows to imaginatively presence not-yet and becoming significances of embodied engagements with environments. The latter is an operative design instrument that allows the responsive shifts in hypothesis to become the very mechanism of a form-giving practice that reflects whimsicalities and contingencies. In order to work towards ‘pregnantness’ and follow the ‘propelling hypothesis’, gatherings interweave autobiographical, fictional and referential voices (i.e. the work of others) through one another. Also different media (i.e. body, drawing, writing, photo, video, sound, animation, modelling), low-tech assembling and analogue-poetic thinking are put into action to bring more sensory, ephemeral, affective and imaginative aspects of bodymindly relating to the environment into account.
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• Voyager's Record (2018) author(s): Paulina Brelińska published in: Research Catalogue
  Point of departure. The exhibition "The Voyager's Record" refers to traveling as such a form of mobility, which results from the internal need to see inaccessible, undiscovered, lost and mysterious places. Its title refers to the name of two gold-plated disks - The Voyager Golden Record - which was placed in the 1970s on board of spacecraft launched as part of the Voyager program. There were some specific recordings and photographs on these disks that were supposed to show the life cycle of the human species on Earth to the extraterrestrial viewers. The exhibition showing the latest works created by young artists figuratively refers to the untamed dreams of seeing unknown lands and what is more the cosmos. Artists’ projects pay attention to the images and elements of nature that interest them during their “expeditions” (expedition is translated as “mobility organized for a specific purpose”). Such concept situates the artist in the position of a researcher/explorer who archives/documents reality and nature for a specific purpose. These objects are deprived of the features of the “artifact” (translated as “incorrect element of the scientific research result”). On the contrary, they become a specific scientific record depicting life on Earth. During the nineteenth century, when the ideological trend called romanticism was developing, the author of the book “COSMOS. Alexander Humboldt's physical description of the world” noticed that nature is a constant object of the discoverer's fascination. When observing the works of contemporary artists, the aforementioned glorification of nature seems to be still super important. Humboldt wrote: "Children's joy at the sight of the particular figures of the countries and the closed seas, as geographical cards show us; the desire to see the constellations of the southern sky that are not on our firmament; images of palm and Lebanon cedars in the holy scriptures; they are all things as an example cited, and which are capable of awakening in the young soul unreasonable desire to see distant lands.” 1 The exhibition is a story about spiritual travels, as well as about feelings that accompany the search for one's own nature. Staying in a state of suspension, properly distant from reality, very credible memorabilia arise - telling a lot about the Earth itself. However, it is not so much its scientific portrait that is important but the presentation of our planet from the perspective of the internal experiences of its inhabitants. Paulina Brelińska
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