Research Catalogue

an international database for artistic research

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  Voices in Nature: A Sensory Experience of the Hatertse and Overasseltse vennen (2022) author(s): Maarten Hendrik Jan Bekhuis published in: Research Catalogue
  As part of the Visual Ethnography master’s at Leiden University, this interactive website invites you to join my interlocutors and me to walk, hear and see with us the Hatertse and Overasseltse fens (near Nijmegen). After four months of fieldwork – I conducted semi-structured interviews, recorded collaborative footage and performed sensory walks – I studied human-nature relationships of educated individuals with extensive knowledge of this area. In presenting the various experiences, I analysed four workable concepts (wind, noise, crowdedness, and pathways) that shape the immersive perception of visitors. This interactive website and creative methodologies used provided me as a visual anthropologist with possibilities to research human-nature encounters within the epoch characterised as the Anthropocene. So, walk with us and experience this extraordinary environment!
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  Co-authoring the Future: Stories from the Road (2022) author(s): Jessica Renfro published in: Research Catalogue
  Framed by the metaphor of a road trip, this exposition explores the use of participatory performance in building cultural discourse about decision-making during the climate crisis. Using Rancière’s concept of the emancipated spectator, common human experiences such as childhood development of subjectivity (acquired through Lacan’s mirror phase and symbolic order) and image schemas (as discussed in Mark Turner’s The Literary Mind) are explored as possible strategies for co-authoring an artistic landscape alongside spectators. An audio narration accompanies the written work, attempting to explore these theories in the form of a correspondence between the author and her elusive self-awareness. Each track reflects on these individual-but-common experiences as a method for creation. The author concludes that a co-authored artistic landscape may only be accessible to participants who are enticed to set aside limiting social norms in order to explore it, and this is the challenge of the artist.
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• rådjuren flyger i skogen (2022) author(s): Anna Nygren published in: Research Catalogue
  Detta är en text fristående från men ändå del av mitt forskningsprojekt om våldtäktsmotivet i Monika Fagerholms Vem dödade bambi? och Fredrik Backmans Björnstad. Jag har skrivit ner min läsning som poesi, för jag tror att poesin är ett språk som kan tillföra något. Jag har skrivit ner mina känslor och tankar för jag tror på ett slags ”situated knowledge” att det är viktigt att minnas vem man är och från vilken punkt man läser texten. Jag vill använda detta för jag tror att det privata är politiskt och att forskningen är personlig, och att jag är begränsad i min gränslöshet, det finns inget objektivt. Denna text är ett undantagstillstånd och ett resultat av en plats och en tid. Jag tror att någonstans i denna text kan något relevant hittas.
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• Infected by theory - The Making of theoretical films (2022) author(s): Evi Jägle published in: Research Catalogue
  To connect or spread this to an artistic research would be a table for translating theoretical texts from Deleuze into a kinematographic vision and the background of how this can be done and why it is necessary. So it connects also with difference and repetition and its spreading power. For example: So art has the impact to transform things we can not say with theory and also links to the necessity to have an artistic theory. Spreading ideas and following the card of this ideas.
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• A deleuzian diagram for Foucault (2022) author(s): Evi Jägle published in: Research Catalogue
  On the basis of the diagram that Deleuze made about Foucault himself to draw a path through his work, the lines are traced that bring it into contact with the cinematic thinking from Deleuze's time-image and movement-image and which kind of junctions between the works were found. A kinematographic view on Foucault projects him onto a filmic expression. For Deleuze, Foucault’s diagram is an exterior that gives his own thinking a layered structure, a layered formation. The layers form deposits and the reference to the outside of the diagram as a cinematographic cutting apparatus calls the visibilities and sayings into question again by assembling them together in such a way that an alogical cut is created. The creation of which must be sought. The distance in the power relations, which is reflected in the visible and the sayable, was able to experience a view with a transition to the film books that attaches a constitutive character to the interval and does not have to ignore it. A video expression will give the diagram of Foucault a visible character and uses Foucaults work as instruction or stage directions for how the sayable and seeable are connected.
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  Double Bass in Indian Classical Music (2022) author(s): SD connected to: KC Research Portal published in: Research Catalogue
  In this presentation we will discuss the incorporation double bass in Indian classical music. Although it’s a foreign instrument to India by origin, but it has immense possibilities for this music. We will discuss it’s origins in India, basics of Indian classical music, similar Indian instruments, Indian classical violin, bassists exploring Indian classical music, cross genre & indian fusion music involving the double bass & it’s application as an accompanying instrument in this tradition & arguments for it’s incorporation.
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