‘Crowism’
(2025)
author(s): DAPHNA REVES
published in: Research Catalogue
The concept of 'crowism' allows to adapt the qualities of the crow and project them onto humanity's relationship. Like having an observation on the relation between a stat and the people culture motivation.
The feature of the crow, takes no burden of humanity society which mean: does not agree taming, presents an individual self-thought, cannot be restrained by regime and cannot be adapted to the pattern of the Western society.
Las guerras púdicas
(last edited: 2022)
author(s): Lorena Croceri
This exposition is in progress and its share status is: visible to all.
In this exhibition I develop the concept of responsibility linked to performance art. Through the analysis of the performative installation Las guerras púdicas, I make an approach to the curated integration of fields: cultural practice of cooking, contemporary art, psychoanalysis, synoptic charts and language of war.
For you ...
(last edited: 2017)
author(s): Jim Harold, Susan Brind
This exposition is in progress and its share status is: visible to all.
'For you …'
Susan Brind and Jim Harold
Woodside Library, Glasgow
As part of ‘Bitter Rose’, Glasgow International, 2016
including talk and performative readings
Over a number of years, artists Susan Brind and Jim Harold have been collaborating on an artwork that takes the form of a growing series of letters, with the working title Coffee Letters, that reference events witnessed since the turn of the 20th-21st Century.
The letters, based on the artists’ own experiences and observations, are written by an anonymous ‘I’ – from different years and various international locations – to an unknown ‘you’ – whose location is not known. The letters reveal a relationship, by means of reflecting upon historical and current events, and moments shared, that reaches across continents, cultures and time.
For you … was developed as a sculptural installation and a reading for the ‘Bitter Rose’ project that took place at different locations in Glasgow (8 April - 2 May 2016) devised for Glasgow International 2016, by writer, poet and musician Tawona Sithole and artist Birthe Jorgensen. Sithole & Jorgensen invited selected artists to devise a work for chosen locations distributed across the City of Glasgow so as to interact with the different communities located within and dispersed across the city.