Epiphanies of an Invisible weave
(2024)
author(s): Jenny Sunesson
published in: Stockholm University of the Arts (SKH)
Epiphanies of an Invisible weave
essay
by Jenny Sunesson, 2022
edited in 2023
Translated by Steven Cuzner
Preface (2023)
Epiphanies of an Invisible weave is an essay written during the processes of two different, yet overlapping, projects; the research project FACT stage one, and the solar driven, sound art project UNDER.
The essay explores the specific capacities and possibilities of sound and listening through the specific mode of field recording, which is the sonic modality that I have exploring for more than 20 years.
The essay aims to shed some light on the site-related, political, and hidden potentials of sound as it examines the possibilities of (re)-learning through listening in relation to both human and more-than-human explorations and possible “epiphanies”, imagining openings beyond stereotypical knowing.
/Jenny Sunesson
Image copyright: Ida Lindgren
Ant-ic Intra-Actions
(2018)
author(s): Fiona MacDonald
published in: RUUKKU - Studies in Artistic Research
Ant-ic Intra-Actions – an experiential exploration of artistic co-production with wood ants.
Material for Gifts from the Sentient Forest
(last edited: 2025)
author(s): Annette Arlander
This exposition is in progress and its share status is: visible to all.
This page is under construction
It contains material created for and in the context of the research project Gifts from the Sentient Forest at the University of Lapland. See https://www.sentientforestproject.com
A study of two dead trees
(last edited: 2020)
author(s): Iver Uhre Dahl
This exposition is in progress and its share status is: visible to all.
In a forest in the Hague there are two dead trees. The trees are neighbours of similar age. The have fallen over next to each other, felled by the rot of an invading fungi, which also appears long dead. The stumps and the roots, still attached to the ground, have been completely hollowed out by the rot. The hollow extends into the earth, seemingly through the roots.
The dark stumps stand in dark contrast to their vivid surroundings. The holes in them, created by the invading rot, and the dryness of dead wood make for a weird acoustic. It began as an attempt to study them. By drawing, climbing, listening to and singing into them I had hoped to unlock the potential I saw. This document is a journal of my observations on the trees, on my place in the forest and a report on the interventions they inspired.
