Designed to allow for Emergence: A Learning Rhizome
(2020)
author(s): Alexios Brailas
published in: Research Catalogue
“Systems Theory, Psychology, and Social Media” is an Erasmus course offered by the Department of Psychology at Panteion University, Athens, Greece. In this course, Erasmus students co-create a unique and wonderful multi-cultural mosaic, ‘the difference that makes the difference.’ In addition to lecturing, participants are engaged in intensive group work during the weekly face-to-face meetings. Between the face-to-face meetings, participants create blog reflections, narratives, and multimodal artifacts about their in-class lived experience regarding the impact social technologies and artificial intelligence have on living systems. Backed up by the technological infrastructure, a network of interconnected personal blogs, students develop a reflective group ecology of practice. The whole project is informed by complex systems’ epistemology. This virtual research exposition demonstrates the overall process in a non-linear and multimodal way. Implications for rhizomatic learning theory and education are discussed.
Empowering Collective Performing Arts: A Facilitator's Toolkit for Overcoming Language Barriers
(last edited: 2025)
author(s): Alice Presencer
This exposition is in progress and its share status is: visible to all.
'Empowering Collective Performing Arts: A Facilitator’s Toolkit for Overcoming Language Barriers' is a practice-led research project that explores the ways to encourage group connection through non-textual, embodied communication within diverse communities.
Drawing on work experience with immigrant children, refugees, and deaf/hearing collaborators—as well as recent research residencies with ASSITEJ Norway, The Flying Seagulls and Red Nose Emergency Smiles—the project contains a growing body of facilitation strategies as an open-source toolkit.
Rooted in my personal experience of linguistic displacement and background in voice and dance, this project proposes a shift away from text-centric facilitation models toward approaches that prioritise emotional intuition and situational awareness. The project is underpinned by critical frameworks around embodied knowledge, power, and positionality, aiming to challenge colonial and exclusionary norms around communication.
Ultimately, it seeks to empower facilitators and communities alike to trust in the expressive potential of the body and encourage inclusive, trust-based spaces for collective performing arts experiences.