ideally, the biryani that brings us all together
(2025)
author(s): Saniya Jafri
published in: VIS - Nordic Journal for Artistic Research
This Exposition is a brief ironic comment on the ongoing degradation, commodification, and colonisation of food and its many dimensions — recipes, ingredients, context — and a reflection on the territorial definitions that shape identity, in this case of South Asians and the Global South, once bound together as a people and still united in the brieftopian world of the Author’s Greatest Biryani: an amalgamative dish of political and cultural reproductions, drenched in time, where old and new contest identity.
Through a conversational, autoethnographic lens, the exposition blends historical, colonial, and territorial reflections, using Biryani as both departure point and metaphor for shared identity and dislocation. Visual collages — archival, familial, and sourced — act as probes connecting memory, culture, and belonging. Ultimately, the work offers the Author’s Greatest Biryani as a living document of generational knowledge and a utopian gesture, inviting both insiders and outsiders to gather around a dish transcending borders and time.
KITCHEN TV PARTY!
(last edited: 2025)
author(s): Josefine Krynska, Emma Mathea Børsting Andersson, Alexandra murray-leslie, Henrik Vham Lindberg, Jonas Bratlund-Mæland, Pil Ulheim, Mimmi Feuer, Hanna Undlien, Moa West, Michael Walde, johanna håbrekke, Liesel Dom, Mohammad Bayesteh
This exposition is in progress and its share status is: visible to all.
Worlding Home cooking, sharing is at the core and dinner parting at the end!
Herbal Practice: A Symbolic Approach to Artistic Medicine (or, The Artistic Practice as Regurgitating Findings)
(last edited: 2023)
author(s): Maria Ilieva
This exposition is in progress and its share status is: visible to all.
Thesis of the Royal Academy of Art, The Hague, 2023, BA Fine Arts
This paper aims to research and study how traditional Bulgarian herbal healing and theoretical matter can influence artistic research and wheth- er they can be applied as methods to the artistic practice, guiding it to take a more self-sustainable form. Herbal medicinal plants have been applied to the daily lives of generations upon generations of humans, as tools to aid and better one’s health, as well as symbols in ritual practices across the globe. In this paper I am contextualizing herbal medicine within the scope of the contemporary artistic prac- tice, through decomposing the process of using herbal medicine into three key steps: gathering, combining and ingesting. I apply art theory based on these topics, to compare the herbal and artistic worlds, using the symbolic, metaphorical aspect
of herbal healing while keeping the logic behind it. Through this process, I aim at making a connection that strengthens the notion of the artistic practice both as a medicinal, as well as a deeply self-centric and self-sufficient practice.