Royal Academy of Art, The Hague
About this portal
This is the portal of the Royal Academy of Art.
contact person(s): Emily Huurdeman
url:
http://www.kabk.nl
Recent Issues
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1. Publications 2023
Maybe a description for yourself
Recent Activities
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HANDLE WITH CARE
(2024)
author(s): Athina Eleftheriou
published in: Royal Academy of Art, The Hague
Thesis of the Royal Academy of Art, The Hague, 2023
BA Textile and Fashion Design
The aim of this thesis is to explore how setting up interaction between personal memories and the materiality of ordinary used objects contribute in new perspectives within the fashion context.
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Escaping into a Daydream
(2024)
author(s): Selma Lu-Lou Tallulah Wurmus
published in: Royal Academy of Art, The Hague
Thesis of the Royal Academy of Art, The Hague, 2023
BA Textile and Fashion Design
An exploration of escapism.
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Dreams of Lands: Unlearning the Modern Heritage for a Resilient Tomorrow.
(2024)
author(s): Fanny Noel
published in: Royal Academy of Art, The Hague
Thesis of the Royal Academy of Art, The Hague, 2023
BA Fine Arts
Dreams of Lands weaves the author's personal heritage to the modern history of Europe in order to understand the current ecological crisis. Questioning the cultural European context in parallel to the native American cosmology, the author enhances the current dynamics of extraction and production that overshadow most of the urban dweller's life.
The research is followed by a gardening handbook for artists and the detailed process of the realisation of a garden in the Royal Academy of the Arts. Both are thought as concrete tools for changing the way we are being human in our world in crisis.
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Data Holds Your Truths. The Avatar Complex: I trust your gargoyle id more than I trust you.
(2024)
author(s): Megan Annette Irusta Cornet
published in: Royal Academy of Art, The Hague
The Royal Academy of Art, The Hague, 2023
BA Photography
Within this piece of writing, different styles of writing have been approached as a performance strategy, a guise we humans willingly and unwillingly commit to every day, online and offline. The overarching themes this text seeks to tackle are alienation and escapism; what I think are the prominent can of worms which ooze from the Internet. Double-edged swords; beautiful and horrifyingly ugly. Alienation to oneself as well as alienating others through the digital sphere. With serious regard to the importance of avatar customisation as a form of expression, yet also acknowledging the destruction within it, it is also the very thing which is actively dislocating us from the IRL (in-real-life). The core to understanding who you are online, how you present yourself online, compared to who you are behind the screen. The text’s leading objective is to hypothesise a world where humans are given the option (highly recommended) to extract our online data to make more of a truthful analysis of who we really are. The prevalence of how capitalistic structures only feed alienation more. If the future consists of post-human and/or transhuman existence, by transmitting our data to gargoyle avatars, creatures which will take the form of one’s avatar, gargoyles are said to protect what they serve. A new gargoyle is designed by your data alone. Data anthropomorphism, the Avatar Complex.
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Cultivating Companionship A conversation about cornfields and communities.
(2024)
author(s): Lina Maria Hülsmann
published in: Royal Academy of Art, The Hague
Our connection to the land is crucial, yet the Anthropocene mindset alienated us from being part of nature.
This research paper is a thorough report of fieldwork, map studies, interviews, experiments and theories related to the domain of philosophy, biology, anthropology, sociology and ecology. By consulting a variety of literature resources of renowned thinkers like Donna Haraway, Arturo Escobar and Bruno Latour you share with them to envision the Anthropocene as a fundamental crisis of modernity with an emphasis on the human detachment from nature.
Working with the corn plant as a symbol of Anthropocene agriculture, this thesis deals with the topics of community and the importance to embrace biodiversity. Based on a case study in Bersenbrück, a small town in North-West Germany, I raise the alarm about one of the most disputable topics in today’s agriculture industry: monoculture.
Since the 1960s the landscape has been dominated by maize being the main cause for the transition from small-scale, self-sufficient farming towards the industrialized production of cornfields.
The origins of the cultivation of the maize was regarded to bind together families and communities, today it has a devastating effect on bio-diversity. On a larger scale maize appears to enforce a capitalist structure of food production and is considered one of the largest contributors to the emission of climate change.
Further, the research leads to opportunities that evolve out of the current agricultural situation. Material experiments with a waste product of monoculture-maize plantations, testify how a deep interest and curiosity can evolve into spatial design and encompass a ‘new level of esteem’. These spatial and material proposals allow the formation of new relationships between humans and nature, between communities and ecosystems.
To ‘cultivating companionship’ expresses optimism and call-to-action in order to contribute to a resilient future where participation as a form of civic engagement and social solidarity is its main core.
The concept of companionship became also a tool that results from empathy, sensitivity, care and compassion, building op on a critical lens, aiming to work together within the situation, the site and the inhabitants.
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Blue sky and Wonder, a Landscape without horizon
(2024)
author(s): Yasmin Kök
published in: Royal Academy of Art, The Hague
Thesis of the Royal Academy of Art, The Hague, 2023
BA Fine Arts
Summary:
Death, ritual, religion, my cultural heritage, I guess I am trying to make sense of it. We share some same questions. We are not sure about the answers we provide. Via condensed nodes, I try to unravel my ‘truth'. As I can predict, this piece of research will make me less sure about myself, and my beliefs. But that is okay. I know these issues will stay uncertain throughout my life. But the topics keep coming back to me daily. Being confronted with many possibilities, and freedom of choice, as far as I believe choices are free, I take a dive.
To see death, the dead, from up close, to see someone disappear, fascinates me and at the same time frightens me. It is a bundle of stories. My own and an analysis of stories of others. I research many aspects of death, around death, that goes hand in hand with us.
Our existence. My spirituality. My body and mind. I and other, mother, father sister, brother. A goalless search without hierarchy or linear approach.