Can I, by illuminating, documenting, studying, organizing and re-documenting my musical process, design a toolkit for improvising bassists with contemporary techniques?
Can I, in my musical process both act as the first person, i.e. the subjective musician and as the third person, i.e. the objective observer?
If so, can I, as the observer objectively observe and organize the ”discoveries” that I am doing in my daily work as first person.
Can I create this tool kit through the limitations that my instrument offers acoustically (the hand, the bow and the bass).
And can I through this immerse and widen my musical expressions? - A richer language - more elastic - with more colors.