// THE NEW OLD //
(last edited: 2025)
author(s): Lorenzo Colocci
This exposition is in progress and its share status is: visible to all.
How can possible translations between acoustic and electronic domains - lead to unexpected forms of composition?
My intention is to create a musical language based on the translation within electronic and acoustic musical elements. Transforming, also making violence to the integrity of the original material, as a constructive act of demolition.
The translation becomes an integrant part of the composition process, consciously taking part in the structural definition of the work
It is NOT a SOUND that is translated, but the IDEA
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(last edited: 2025)
author(s): .
This exposition is in progress and its share status is: visible to all.
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