Finding Musical Structure
(last edited: 2025)
author(s): Jimmy Axelsson
This exposition is in progress and its share status is: visible to all.
The aim of this master’s project is to gain a better understanding of form in electroacoustic
music composition, and to apply this knowledge in studio-based work as well as in
compositions for acoustic instruments. The following research questions was asked:
What methods and strategies are used to create form in electroacoustic music?
What approaches to form can I use in my electroacoustic compositions to obtain logical and
structurally coherent musical results?
What approaches to form in electroacoustic music can I use in my compositions for acoustic
instruments and in mixed media works?
To reach the aim and answer my research questions an extensive theory chapter have been
made that include theory about Macro, meso, sound object and microform,
Spectromorphology, Organizing form, Algorithmic and generative processes, Moment form,
and Fibonacci sequence and the Golden Section proportions.
The method chapter describes how the analysis of form is made, which are based on
spectromorphology. Interviews with composer of three of the analysed pieced have been
conducted, and strategies employed for composing my own pieces is also presented.
The result chapter include my form analysis and reflections of four electroacoustic works
together with information gathered during my interviews and the five pieces that I have
composed during this project, two electroacoustic pieces, two acoustic pieces for symphony
orchestra and one mixed media composition for piano and tape. Those pieces are presented
with analysis of form and how I have composed the pieces.
In the discussion are my research question answered together with more insights and
reflections that I gotten from doing this master’s project.
