ABSTRACT:
The author presents the results of the exploration of musical form through the perspective of the mnemonic technique of 'chunking.' He introduces to us his original work that was questioning and investigating different types of memory representations and limited capacities of a human brain. He combines the musical compositional process and defines the time relations between static and sound in motion. Later on, the author presents to us the overlapping characteristics of the sound phenomena of Autonomous Sensory Meridian Response (ASMR) and Frisson. He defines different bodily processes that are consequentially related to both sound phenomena. Moreover, the author presents the second original work that tried to reproduce the sound phenomena in a 'classic' concert form. Overall, he presents results of an online and a verbal survey that investigates the reactionary thoughts of the collective memories and experiences induced by the audience. Later on, he compares the feedback obtained with the existing researches that were dealing with the topic of memory and the psychophysiological responses of the human body.
