Sam Nightingale is an artist who investigates ‘spectral ecologies’ - the haunting or
co-presence of another time that are active in forming the material conditions of the present (these could be legacies from deep geological time to industrialised capitalism). His practice is research-based focusing on specific geophysical locations and their seemingly invisible histories. Working with photographic and time-based media he attempts to make visible the human/non-human temporal entanglements that co-produce the material and environmental conditions of these sites: from ancient salt lakes in the Australian desert to the atomic light of a nuclear power plant in the far north of Scotland, for example.