Potentiality of Sound in Matter
(last edited: 2022)
author(s): Justin Grooten, Kim Minji, Channa Boon, Elena Khurtova, Anne-Florence Neveu, Anne-Florence Neveu, Jeroen Meijer, Jeremi Biziuk
connected to: Royal Academy of Art, The Hague
This exposition is in progress and its share status is: visible to all.
“All bodies, not merely “human” bodies, come to matter through the world’s iterative intra-activity; its performativity. This is true not only of the surface or contours of the body but also of the body in the fullness of its physicality, including the very “atoms” of its being. Bodies are not objects with inherent boundaries and properties; they are material-discursive phenomena. “Human” bodies are not inherently different from “non-human” ones. “ quote from 'Meeting the Universe Halfway' by Karen Barad
‘Investigating through making’ is at the core of the course 'Potentiality of Sound in Matter', that is produced and guided by Channa Boon and Elena Khurtova, for all departments of the Royal Academy in The Hague.
It has lead up to a final presentation here on the Research Catalogue. The students have been investigating questions like: how does colour sound? What does my room has to say? How do intimacy and friction sound? What is the sound of darkness? How to communicate with a thinking forest?
Sources of inspiration are the New Materialist philosophy (Donna Haraway, Karen Barad, Ursula Le Guin)
students:
Iona Fulton - Fine Art
Justin Grooten - Photography
Tugay (Adem) Kader - Fine Art
Minji Kim - Art Science
Jeroen Meijer - IMD
Wies Mobach - IMD
Anne-Florence Neveu - Art Science
Niya Tsenkova - Fine Art
Daniel Walton - Photography
Robin Walvisch - Photography
Yanbing Wu - Fine Art
Farah Rahman - Art Science
Jeremi Biziuk - Fine Art
Crit 2020
(last edited: 2021)
author(s): Jeremi Biziuk, Ain Nurul Ain Binti Nor Halim
This exposition is in progress and its share status is: visible to all.
Critical assignment documentation and exhibition for the group of Kaiming Li, Klara Fantova, Ain Nor Halim and Jeremi Biziuk.