Olivia Rowland

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United Kingdom °1994
research interests: Language, drawing, anxiety, hysteria, poetry, animation, feminist epistemology, experimental writing, autoethnography, Speaking, articulation, the gaze, feminism
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Olivia Rowland is an artist and practice-based PhD researcher at the Manchester School of Art, Manchester Metropolitan University.

 

"Drawing and writing are, first and foremost,  fundamental ways to narrate myself into ‘being’. They enable me to construct a sense of identity and navigate the intersections where this is distorted by anxiety disorder.

Within my practice, there is a mimetic and fluid interplay between text and image which is not illustrative, but rather a language overall which uses a convulsing, fluid, stark and often vigorous use of drawn line."

research

research expositions

  • Little Do They Know (2022) author(s): Olivia Rowland published in: Journal for Artistic Research
    This exposition functions as both a visual and poetic essay, and a manifesto for my methodology of ‘line’. My definition of ‘line’, defined here as: ‘The gestural and abstracting tandem force of drawing-and-writing as a narrative means to express selfhood.’ The exposition posits the methodology of ‘line’ as one alternate artistic means to artistically communicate feminine selfhood. The methodology of line works to resist the internalised assignment of feminine voice to a corporeal body. Instead, ‘line’ communicates selfhood through poetic means and a sense of fragmented corporeality. Visually, the stark and abstracting nature of the drawn line, and the allegorical, metaphorical nature of writing present an abstracted self that playfully evades full understanding. The titling phrase ‘Little Do They Know’ intones a kind of secret power on behalf of the speaker, and the presence of secret and intricate worlds to which the gaze of the spectator has limited access. It is on this premise which the exposition operates, articulating the presence (in all its anxiety, instability, rage, joy and frustration) of a playful and evasive selfhood that reclaims agency from the spectator’s gaze.
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