Exposition

Focused Listening in Jazz Improvisation How can I create interesting musical lines by shifting my listening focus to specific instruments during improvisation? (2015)

Felician Honsig-Erlenburg
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Name: Felician Honsig-Erlenburg Main Subject: Jazz Saxophone Research Coach: Karst de Jong Title of Research: Processes, ways and habits of receiving jazz music Research Question: How do jazz performers listen in different situations? Summary of Results: Through a questionnaire and several interviews, findings were made in various areas of the jazz musician’s listening work: the difference between practice- and performancelistening, techniques for listening in live situations and the relevance of time and attention in the listening experience. On a practical level, this also included the experiment of performing music on a second instrument. Besides presenting an overview of the collected personal accounts, the research presentation will consist of demonstrating the impact of ways of listening on the live performance through musical examples. Biography: Felician Erlenburg was born in Klagenfurt, Austria in 1985. He studied saxophone at the Konservatorium Klagenfurt, the Berklee College of Music, and the Koninklijk Conservatorium in The Hague. Felician has also taught as a Teaching Assistant at the University of Oregon and he has been a private saxophone teacher, besides performing as a saxophonist in various jazz settings.
typeresearch exposition
date01/01/2015
published29/05/2015
last modified29/05/2015
statuslimited publication
share statusprivate
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/105248/105249
published inKC Research Portal
portal issue3. Internal publication


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