Focused Listening in Jazz Improvisation  How can I create interesting musical lines by shifting my listening focus to specific instruments during improvisation?

Felician Honsig-Erlenburg

About this exposition

Name: Felician Honsig-Erlenburg Main Subject: Jazz Saxophone Research Coach: Karst de Jong Title of Research: Processes, ways and habits of receiving jazz music Research Question: How do jazz performers listen in different situations? Summary of Results: Through a questionnaire and several interviews, findings were made in various areas of the jazz musician’s listening work: the difference between practice- and performancelistening, techniques for listening in live situations and the relevance of time and attention in the listening experience. On a practical level, this also included the experiment of performing music on a second instrument. Besides presenting an overview of the collected personal accounts, the research presentation will consist of demonstrating the impact of ways of listening on the live performance through musical examples. Biography: Felician Erlenburg was born in Klagenfurt, Austria in 1985. He studied saxophone at the Konservatorium Klagenfurt, the Berklee College of Music, and the Koninklijk Conservatorium in The Hague. Felician has also taught as a Teaching Assistant at the University of Oregon and he has been a private saxophone teacher, besides performing as a saxophonist in various jazz settings.

type	research exposition
date	01/01/2015
published	29/05/2015
last modified	29/05/2015
status	limited publication
share status	private
license	All rights reserved
url	https://www.researchcatalogue.net/view/105248/105249
published in	KC Research Portal
portal issue	3. Internal publication

id	name	copyright	license
145256	Audio 2	Felician Honsig-Erlenburg	All rights reserved
145253	Audio 1	Felician Honsig-Erlenburg	All rights reserved
145239	video11.YesOrNo.Studio4	Felician Honsig-Erlenburg	All rights reserved
145237	video10.LoveMeOrLeaveMeStudio4	Fe	All rights reserved
145229	video9.diminution	Fe	All rights reserved
145221	video8.inside.outsideplaying	Fe	All rights reserved
145219	video7.reversing.therole	Felician Honsig-Erlenburg	All rights reserved
145217	video6.listening.playingaslittleaspossible	Felician Honsig-Erlenburg	All rights reserved
145214	video5.following.reharm	Fe	All rights reserved
145206	video4.not.following.reharm	Felician Honsig-Erlenburg	All rights reserved
145204	video3.followingregister	Felician Honsig-Erlenburg	All rights reserved
145198	video2.contrasting	F	All rights reserved
145196	video1.copying	Felician Honsig-Erlenburg	All rights reserved
145193	Focused Listening in Jazz Improvisation	Felician Honsig-Erlenburg	All rights reserved
145157	Focused Listening in Jazz Improvisation	Felician Honsig-Erlenburg	All rights reserved
145088	Focused Listening in Jazz Improvisation	F	All rights reserved
145086	FocusedListeningInJazzImprovisation	Felician	All rights reserved
137257	Processes, Ways and Habits of Perceiving Jazz Music	Felician Honsig-Erlenburg	All rights reserved
137252	Processes, Ways and Habits of Listening to Jazz Music; How do Jazz Musicians listen in different Situations?	Felician Honsig-Erlenburg	All rights reserved
137249	Processes, Ways and Habits of Perceiving Jazz Music; How Jazz Musicians Listen in Different Situations	Felician Honsig-Erlenburg	All rights reserved
136838	ProcessesWaysHabitsofPerceivingJazzMusic	Felician Honsig-Erlenburg	All rights reserved
105252	PreleminaryResearchPaper.FelicianHonsigErlenburg	Felician Honsig-Erlenburg	All rights reserved

Research Catalogue

an international database for artistic research

Focused Listening in Jazz Improvisation How can I create interesting musical lines by shifting my listening focus to specific instruments during improvisation? (2015)

Simple Media