Name: Shin Hwang
Main Subject: Fortepiano
Research Coach: Stefan Petrovic
Title of Research: The Literary Heritage of Robert Schumann’s Kreisleriana
Research Question:
What is the significance of Schumann labeling his piano cycle, after E.T.A. Hoffmann’s
collection of works known as Kreisleriana? What aspects of E.T.A. Hoffmann influence
Schumann in the composition of his own work?
Summary of Research:
Upon discovering Schumann’s Kreisleriana, I was drawn to several aspects of the work
that aroused in me a curiosity in deciphering what, if any, connection it had to E. T. A.
Hoffmann’s work of the same title. While there has been plenty of research done on his
Papillons, Opus 2 and its relationship to Jean Paul’s Flegeljahre, I failed to find an indepth
study of the relationship between the two Kreislerianas. In this paper, I explore the
parallel philosophy of the two writer-composers: their definition of music as ‘tonepoetry’
and their belief in the spiritual power of music. I then compare their shared
mission in condemning the musical Philistine and upholding the true artist. Lastly, I
examine Hoffmann and Schumann’s use of fragmentation to veil the inner continuity of
the work. I conclude that, above all, it is the exuberant fantasy of Hoffmann’s
imagination that Schumann attempts to capture in music.
Biography:
A prize-winner of the 1st International Westfield Fortepiano Competition, Shin Hwang is
a versatile keyboardist who has won recognition in both modern and historical
performance. In 2011, he was invited by Malcolm Bilson to perform in the United States
Library of Congress for the American Musicological Society Lecture Series: “What the
Autograph Can Tell Us: Beethoven's Sonata in E major, Opus 109”. As a recipient of the
prestigious Fulbright and DAAD Scholarship, he has studied with Jacques Ogg, Robert
Hill, and Bart van Oort.