1185141 |
Unraveling Musical Relativity Following in the Footsteps of 19th century Conductors v1 |
Andreas Hansson |
All rights reserved |
1185221 |
Figure 3.1.2.1, Tempo graph, with vertical axis indicating bpm, of Weingartner’s recording of Beethoven’s Symphony No.3, movement 1. |
Andreas Hansson |
All rights reserved |
1185225 |
Figure 3.1.2.2, Tempo graph, with vertical axis indicating bpm, of Weingartner’s recording of Beethoven’s Symphony No.3, movement 2. |
Andreas Hansson |
All rights reserved |
1185243 |
Figure 3.1.2.3, Tempo graph, with vertical axis indicating bpm, of Weingartner’s recording of Beethoven’s Symphony No.3, movement 3. |
Andreas Hansson |
All rights reserved |
1185249 |
Figure 3.1.2.4, Tempo graph, with vertical axis indicating bpm, of Weingartner’s recording of Beethoven’s Symphony No.3, movement 4. |
Andreas Hansson |
All rights reserved |
1185270 |
Figure 3.2.2.1, Tempo graph, with vertical axis indicating bpm, of Mengelberg’s recording of Tchaikovsky’s Symphony No.5, movement 1. |
Andreas Hansson |
All rights reserved |
1185277 |
Figure 3.2.2.2, Tempo graph, with vertical axis indicating bpm, of Mengelberg’s recording of Tchaikovsky’s Symphony No.5, movement 2. |
Andreas Hansson |
All rights reserved |
1185283 |
.Figure 3.2.2.3, Tempo graph, with vertical axis indicating bpm, of Mengelberg’s recording of Tchaikovsky’s Symphony No.5, movement 3. |
Andreas Hansson |
All rights reserved |
1185288 |
Figure 3.2.2.4, Tempo graph, with vertical axis indicating bpm, of Mengelberg’s recording of Tchaikovsky’s Symphony No.5, movement 4. |
Andreas Hansson |
All rights reserved |
1185297 |
Figure 3.3.2.1.1, Tempo graph, with vertical axis indicating bpm, of Monteux’s recording of Stravinsky’s Le Sacre du Printemps, Part 1, Introduction. |
Andreas Hansson |
All rights reserved |
1185302 |
Figure 3.3.2.1.2, Tempo graph, with vertical axis indicating bpm, of Monteux’s recording of Stravinsky’s Le Sacre du Printemps, Part 1, The Augurs of Spring: Dances of the Young Girls. |
Andreas Hansson |
All rights reserved |
1185306 |
Figure 3.3.2.1.3, Tempo graph, with vertical axis indicating bpm, of Monteux’s recording of Stravinsky’s Le Sacre du Printemps, Part 1, Ritual of Abduction. |
Andreas Hansson |
All rights reserved |
1185311 |
Figure 3.3.2.1.4, Tempo graph, with vertical axis indicating bpm, of Monteux’s recording of Stravinsky’s Le Sacre du Printemps, Part 1, Spring Rounds. |
Andreas Hansson |
All rights reserved |
1185315 |
Figure 3.3.2.1.5, Tempo graph, with vertical axis indicating bpm, of Monteux’s recording of Stravinsky’s Le Sacre du Printemps, Part 1, Ritual of the Rival Tribes. |
Andreas Hansson |
All rights reserved |
1185319 |
Figure 3.3.2.1.6, Tempo graph, with vertical axis indicating bpm, of Monteux’s recording of Stravinsky’s Le Sacre du Printemps, Part 1, Procession of the Sage and The Sage. |
Andreas Hansson |
All rights reserved |
1185324 |
Figure 3.3.2.1.7, Tempo graph, with vertical axis indicating bpm, of Monteux’s recording of Stravinsky’s Le Sacre du Printemps, Part 1, Dance of the Earth. |
Andreas Hansson |
All rights reserved |
1185409 |
Audio clip 3.1.2.1.1, Snippet of Weingartner’s recording of Beethoven’s Symphony No.3, movement 1, showing gradual tempo shift in bars 61-65 |
Andreas Hansson |
All rights reserved |
1185441 |
Video clip 4.2.1.1, Excerpt of Hansson conducting Beethoven’s Symphony No.3, movement 1, bars 34-45 and bars 57-91, with pianists. |
Andreas Hansson |
All rights reserved |
1185457 |
Audio clip 3.1.2.1.2, Snippet of Weingartner’s recording of Beethoven’s Symphony No.3, movement 1, showing sudden tempo shift in bar 45 |
Andreas Hansson |
All rights reserved |
1185535 |
(Audio clip 3.1.2.1.3, Snippet of Weingartner’s recording of Beethoven’s Symphony No.3, movement 1, showing early second beat in bars 19-21 |
Andreas Hansson |
All rights reserved |
1185549 |
Audio clip 3.1.2.1.4, Snippet of Weingartner’s recording of Beethoven’s Symphony No.3, movement 1, showing prolonged third beat in bars 85-89 |
Andreas Hansson |
All rights reserved |
1185565 |
Audio clip 3.1.2.1.5, Snippet of Weingartner’s recording of Beethoven’s Symphony No.3, movement 1, showing emphasis on accentuation in bars 38-42 |
Andreas Hansson |
All rights reserved |
1185578 |
Audio clip 3.1.2.1.6, Snippet of Weingartner’s recording of Beethoven’s Symphony No.3, movement 1, showing emphasis on cantabile material in bars 83-98 |
Andreas Hansson |
All rights reserved |
1185588 |
(Audio clip 3.1.2.1.7, Snippet of Weingartner’s recording of Beethoven’s Symphony No.3, movement 1, showing portamento in cello in bar 5 |
Andreas Hansson |
All rights reserved |
1185612 |
Audio clip 3.1.2.2.1, Snippet of Weingartner’s recording of Beethoven’s Symphony No.3, movement 2, showing prolonged upbeat in conjunction with shortened preceding beat in upbeat to bar 8 |
Andreas Hansson |
All rights reserved |
1185628 |
Audio clip 3.1.2.2.2, Snippet of Weingartner’s recording of Beethoven’s Symphony No.3, movement 2, showing prolonged upbeat without shortening of the preceding beat in upbeat to bar 1i |
Andreas Hansson |
All rights reserved |
1185642 |
Audio clip 3.1.2.2.3, Snippet of Weingartner’s recording of Beethoven’s Symphony No.3, movement 2, showing upbeat stretched over two beats in bar 1i |
Andreas Hansson |
All rights reserved |
1185658 |
Audio clip 3.1.2.2.4, Snippet of Weingartner’s recording of Beethoven’s Symphony No.3, movement 2, showing portamento in violins in bar 80 |
Andreas Hansson |
All rights reserved |
1185682 |
Audio clip 3.1.2.3.1, Snippet of Weingartner’s recording of Beethoven’s Symphony No.3, movement 3, showing sudden tempo shift inversely connected to musical texture in bar 93 |
Andreas Hansson |
All rights reserved |
1185700 |
Audio clip 3.1.2.3.2, Snippet of Weingartner’s recording of Beethoven’s Symphony No.3, movement 3, showing alternating parts of the orchestra start slow and speed up in bars 127-142 |
Andreas Hansson |
All rights reserved |
1185715 |
Audio clip 3.1.2.3.3, Snippet of Weingartner’s recording of Beethoven’s Symphony No.3, movement 3, showing rushing to an important beat in bars 101-102 |
Andreas Hansson |
All rights reserved |
1185730 |
Audio clip 3.1.2.3.4, Snippet of Weingartner’s recording of Beethoven’s Symphony No.3, movement 3, showing a hint of ‘Viennese Waltz’ rhythm in bars 26-27 |
Andreas Hansson |
All rights reserved |
1185740 |
Audio clip 3.1.2.4.1, Snippet of Weingartner’s recording of Beethoven’s Symphony No.3, movement 4, showing gradual tempo shift inversely connected to musical texture in bars 344-348 |
Andreas Hansson |
All rights reserved |
1185757 |
Audio clip 3.1.2.4.2, Snippet of Weingartner’s recording of Beethoven’s Symphony No.3, movement 4, showing gradual increase in tempo after slow start in bars 76-83 |
Andreas Hansson |
All rights reserved |
1185790 |
Audio clip 3.2.2.1.1, Snippet of Mengelberg’s recording of Tchaikovsky’s Symphony No.5, movement 1, showing gradual tempo shift directly connected to dynamics in bars 80-83 |
Andreas Hansson |
All rights reserved |
1185800 |
Audio clip 3.2.2.1.2, Snippet of Mengelberg’s recording of Tchaikovsky’s Symphony No.5, movement 1, showing sudden tempo shift directly connected to dynamics in bar 186 |
Andreas Hansson |
All rights reserved |
1185810 |
Audio clip 3.2.2.1.3, Snippet of Mengelberg’s recording of Tchaikovsky’s Symphony No.5, movement 1, showing sudden tempo shift inversely connected to texture in bar 50 |
Andreas Hansson |
All rights reserved |
1185817 |
Audio clip 3.2.2.1.4, Snippet of Mengelberg’s recording of Tchaikovsky’s Symphony No.5, movement 1, showing gradual tempo shift inversely connected to texture in bars 31-34 |
Andreas Hansson |
All rights reserved |
1185828 |
Audio clip 3.2.2.1.5, Snippet of Mengelberg’s recording of Tchaikovsky’s Symphony No.5, movement 1, showing tempo connected to phrasing over two bars in bars 5-6 |
Andreas Hansson |
All rights reserved |
1185848 |
Audio clip 3.2.2.1.6, Snippet of Mengelberg’s recording of Tchaikovsky’s Symphony No.5, movement 1, showing tempo connected to phrasing in multiple bars in bars 22-25 |
Andreas Hansson |
All rights reserved |
1185853 |
Audio clip 3.2.2.1.7, Snippet of Mengelberg’s recording of Tchaikovsky’s Symphony No.5, movement 1, showing portamento in first violins in upbeat to bar 60 |
Andreas Hansson |
All rights reserved |
1185863 |
Audio clip 3.2.2.2.1, Snippet of Mengelberg’s recording of Tchaikovsky’s Symphony No.5, movement 2, showing prolonged upbeat in conjunction with shortened previous beat in upbeat to bar 9 |
Andreas Hansson |
All rights reserved |
1185869 |
Audio clip 3.2.2.2.2, Snippet of Mengelberg’s recording of Tchaikovsky’s Symphony No.5, movement 2, showing prolonged upbeat without shortened previous beat in upbeat to bar 112 |
Andreas Hansson |
All rights reserved |
1185874 |
Audio clip 3.2.2.2.3, Snippet of Mengelberg’s recording of Tchaikovsky’s Symphony No.5, movement 2, showing portamento in double basses in bar 30 |
Andreas Hansson |
All rights reserved |
1185881 |
Audio clip 3.2.2.3.1, Snippet of Mengelberg’s recording of Tchaikovsky’s Symphony No.5, movement 3, showing portamento in first violins in bars 1-6 |
Andreas Hansson |
All rights reserved |
1185885 |
Audio clip 3.2.2.4.1, Snippet of Mengelberg’s recording of Tchaikovsky’s Symphony No.5, movement 4, showing portamento in violins in bars 98-105 |
Andreas Hansson |
All rights reserved |
1185899 |
Audio clip 3.3.2.1.1, Snippet of Monteux’s recording of Stravinsky’s Le Sacre du Printemps, showing gradual tempo shift directly connected to dynamics in the first to the third bar in 62 |
Andreas Hansson |
All rights reserved |
1185904 |
Audio clip 3.3.2.1.2, Snippet of Monteux’s recording of Stravinsky’s Le Sacre du Printemps, showing sudden tempo shift directly connected to dynamics in the upbeat to the first bar in 60 |
Andreas Hansson |
All rights reserved |
1185912 |
Audio clip 3.3.2.1.3, Snippet of Monteux’s recording of Stravinsky’s Le Sacre du Printemps, showing sudden tempo shift inversely connected to texture in the first to the fourth bar in 19 |
Andreas Hansson |
All rights reserved |
1185923 |
Audio clip 3.3.2.1.4, Snippet of Monteux’s recording of Stravinsky’s Le Sacre du Printemps, showing gradual tempo shift inversely connected to texture from 43 to 44 |
Andreas Hansson |
All rights reserved |
1185928 |
Audio clip 3.3.2.1.5, Snippet of Monteux’s recording of Stravinsky’s Le Sacre du Printemps, showing tempo connected to phrasing in the third beat of bar 1 to the second beat of bar 3 |
Andreas Hansson |
All rights reserved |
1185932 |
Audio clip 3.3.2.1.6, Snippet of Monteux’s recording of Stravinsky’s Le Sacre du Printemps, showing emphasis on accentuation at the first bar in 47 |
Andreas Hansson |
All rights reserved |
1185943 |
Audio clip 3.3.2.1.7, Snippet of Monteux’s recording of Stravinsky’s Le Sacre du Printemps, showing emphasis on cantabile material from the first to the fourth bar in 25 |
Andreas Hansson |
All rights reserved |
1186250 |
Unraveling Musical Relativity Following in the Footsteps of 19th century Conductors |
Andreas Hansson |
All rights reserved |
1186441 |
Unraveling Musical Relativity Following in the Footsteps of 19th century Conductors |
Andreas Hansson |
All rights reserved |
1186488 |
Unraveling Musical Relativity Following in the Footsteps of 19th century Conductors |
Andreas Hansson |
All rights reserved |
1284529 |
Unraveling Musical Relativity Following in the Footsteps of 19th century Conductors Corrected |
Andreas Hansson |
All rights reserved |