This is a journey to my practice as part of my artistic research on the method ans process of instant composition. During the second research cycle , I 'shaped' and developed a process that is consisted of perceptual and compositional tools and which I rigorously follow as a preparatory practice before entering into instant composition sessions.
Moving towards an instant composition performance, my challenge is to let all investigative tools emerge during the performance time.
Key words:
connectivity, flow, time-space, present, Sensorial Movement, phrasing, sustainment, continuity, Maurice Merleau-Ponty, water, circles, waves, spirals, lines, gestures, fast, slow, contra tempo, rhythmic motifs, impulse,, improvisation, instant composition, master choreography, COMMA.