name | Fig. 5-2: Experiment to test the effect of curatorial groupings. #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
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name | Fig. 5-1: Experiment to test the effect of curatorial groupings. #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
usages | picture |
name | Fig. 3-4: Exit survey #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
usages | picture |
name | Fig. 3-3: Visitor in front of On Kawaras work #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
usages | picture |
name | Fig. 3-2: Survey #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
usages | picture |
name | Fig.3-1 Glove #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
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name | Fig. 6-1: Tasks, team, timeline #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
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name | Fig. 6-2: Legend #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
usages | picture |
name | Fig. 8-1: Database programming #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
usages | picture |
name | Fig. 8-2: Glove development #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
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name | Fig. 8-4: Scientists discussing experimental setups #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
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name | Fig. 9-1: Development of the portrayal process (three images from the final phase of the development of the image-producing process). The visitor behaviour of 30 participants in Space 2 is mapped, that is, their physiological reactions and paths (grey). T |
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copyright | Martin Tröndle |
license | All rights reserved |
usages | picture |
name | Fig. 9-2: Development of the portrayal process (three images from the final phase of the development of the image-producing process). The visitor behaviour of 30 participants in Space 2 is mapped, that is, their physiological reactions and paths (grey). T |
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copyright | Martin Tröndle |
license | All rights reserved |
usages | picture |
name | Fig. 9-3: Development of the portrayal process (three images from the final phase of the development of the image-producing process). The visitor behaviour of 30 participants in Space 2 is mapped, that is, their physiological reactions and paths (grey). T |
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copyright | Martin Tröndle |
license | All rights reserved |
usages | picture |
name | Fig. 11: Example of the Sonification: Sonification of Visitor Number Six #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
usages | audio |
name | Fig. 10: Score of the sonification of the architectural space #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
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name | Viernich compact #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
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name | Viernich spreach out #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
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name | Nedko Solakov, ”A label level, 2009”, Kunstmuseum St. Gallen #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
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name | Nedko Solakov, ”A label level, 2009”, Kunstmuseum St. Gallen #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
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name | Fig. 7a. #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
usages | picture |
name | Background image #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
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name | Fig 8-3 #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
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name | video6 |
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copyright | Martin Tröndle |
license | All rights reserved |
usages | video |
name | Le Journal de la Culture #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
usages | video |
name | Background image #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
usages | picture |
name | Background image #0 |
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copyright | Martin Tröndle |
license | All rights reserved |
usages | picture |