Exposition

Spatiality and the Tactile Experience (2025)

Anders Holst

About this exposition

This artistic research project reflects a deeply personal exploration of the ritualistic and symbolic aspects of music, from the perspective of my own practice a soloist. It touches on the idea that the act of creating sound is not merely a technical or performative endeavor, but a sacred, energetic exchange. The fingertips, as the primary point of contact between the musician and their instrument, are seen as a portal—an interface between the inner world of the musician and the outer world of sound, music, and the present moment.
typeresearch exposition
keywordsspatial arts, tactility, rituality, ceremony, interrelationship, RMC alumni, solowork, object-body relationship, soundspaces, Guitar, transcendence, improvisation, intuition, composition process, musical and artistic development
date01/05/2021
published22/04/2025
last modified22/04/2025
statuspublished
share statusprivate
affiliationThe Rhythmic Music Conservatory (RMC), Copenhagen.
copyrightAnders Holst
licenseCC BY-NC-ND
urlhttps://www.researchcatalogue.net/view/1245678/1245679
doihttps://doi.org/10.22501/rmc.1245678
published inRhythmic Music Conservatory, Copenhagen
portal issue0. Published Research by Advanced Postgraduate Diploma students


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