Exposition

Musical caves. Le chant d'Isturitz, towards an ecology of music creation (2022)

Jean-Baptiste des Boscs
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In the caves of Isturitz and Oxocelhaya were founded some pieces of art (paintings, engravings mainly), objects including bone flutes, signs (red dots) on the walls left by our ancestors during the upper Paleolithic. More than an eldorado for archeologists, the Great Hall of the caves of Isturitz has very good properties of resonance (six seconds of reverberation, seven echoes, and high quality of the overtones’ reverberation). Musical improvisations were experienced in this hall with a cello and a barytone voice, and astonishing results were obtained. After the time of the experimentations, came the writing process and a piece for cellist was created and named Le chant d’Isturitz. The overall idea behind this research is the will to create and perform music by taking into account the specificities and subtleties of a resonant and natural place.
typeresearch exposition
keywordsecho, resonance, acoustic, composition, composer as performer, ecology, painted caves, prehistory, nature, Cello, Cello solo, overtones, reverberation, Beyond Discipline, parietal art
date21/11/2021
published11/07/2022
last modified11/07/2022
statuslimited publication
share statusprivate
copyrightcopyright
licenseCC BY-NC-ND
urlhttps://www.researchcatalogue.net/view/1430372/1515990
published inKC Research Portal
portal issue3. Internal publication


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