Exposition

Rewritable Creatures. Correspondence between Daniel Aschwanden, Vera Sebert and Lucie Strecker on Mimesis and Hybridity in Choreography (2023)

Lucie Strecker, Vera Sebert
open exposition

About this exposition

Lucie Strecker (Angewandte Performance Laboratory and Department of Art and Communication Practices) reveals the artistic working process preceding a production with the contribution "Rewritable Creatures", reflecting on mimesis and hybridity in choreography through an exchange of letters with the late performer Daniel Aschwanden (Angewandte Performance Laboratory and Department of Art and Communication Practices) and the author Vera Sebert. As the three letter-writers search, speculate and ask each other questions, the text becomes a written performance, revealing an immediate, polyphonic approach to the subject that allows readers to become part of the performance. In this way, processes of hybridisation become manifest in writing. The performance, however, cannot be completed; Aschwanden’s sudden death interrupts the text, turning the contribution, in a sense, into a memorial to an artist, friend, and colleague and the readers into witnesses.
typeresearch exposition
keywordsartistic process, artistic method, mimêsis, hybridity, letters as form, dialogue, performance, Performance studies, performer, writing, poetics, poetry, polyphony, multivocality, Dramaturgy, grief
date29/11/2022
published20/03/2023
last modified20/03/2023
statuspublished
copyrightDaniel Aschwanden, Vera Sebert, Lucie Strecker
licenseAll rights reserved
languageBritish English
urlhttps://www.researchcatalogue.net/view/1841017/1841018
doihttps://doi.org/10.22501/repos.1841017
published inUniversity of Applied Arts Vienna
portal issue01. reposition Journal of reflective Positions in Art and Research


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