Exposition

Discovering Woodwind Articulation of the first half of 18th century as a modern oboist (2023)

Avesta Yusufi
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About this exposition

The purpose of this research is to understand and learn about the historical informed performance of Baroque music and sets out to explore one of such important aspects of performance as articulation and tonguing on woodwind instruments in particular. Trained as a modern oboist I am very much attracted to Early music, especially, French baroque. Each of the existing musical styles has its own articulation, ways of pronunciation and execution of musical strokes. The knowledge of tonguing patterns, articulation syllables and their connection to the vocal pronunciation, figures and their affects is essential for the performance. Therefore, I believe that deepening into the topic of articulation and research of sources written at that time will give a modern oboist a more complete idea of how this music should be performed and how he or she can use this knowledge as a mean of expression and it is necessary to learn Baroque articulation for a complete performance.
typeresearch exposition
date08/03/2023
published19/07/2023
last modified19/07/2023
statuslimited publication
share statusprivate
copyrightAll rights reserved
licenseCC BY-NC-ND
urlhttps://www.researchcatalogue.net/view/2016090/2016091
published inKC Research Portal
portal issue3. Internal publication


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2130097 photo_2023-05-08 22.52.09 Bach Concerto for Violin and Oboe, 2rd mov, excerpt Public domain
2130098 photo_2023-05-08 22.52.09 Bach Concerto for Violin and Oboe, 2rd mov, excerpt Public domain
2130099 photo_2023-05-08 22.56.01 Bach Concerto for Violin and Oboe, 2rd mov, excerpt Public domain
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