Exposition

Thanatoarchitecture/Rehearsing to mortality (last edited: 2024)

Monika Karczmarczyk
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About this exposition

Tanatoarchitecture / Rehearsing to mortality The project „Tanatoarchitecture. Rehearsing to mortality” reflects on the influence of architecture, its material and spatial organisation, on the body in the process of dying through artistic research. The research happens through artistic work and is done in relation to other studies like sociology, theory of architecture, proxemics or thanatology. Phenomenological reflection on the space surrounding the process of dying stems from dealing with the effects of the domination of sight in the perception of death. With the development of medicine at the turn of the 19th and 20th centuries, the process of dying was moved from houses and apartments to hospital rooms. The pattern of dying also changed. “Traditional death” had been replaced by the “modern death” – a model in which the very process of dying has been pushed out of the collective consciousness and thrust beyond the field of visibility. An essential part of how we die is where we die. However, the architecture of the places associated with death seems to follow a spatial arrangement completely detached from emotions accompanying the crucial moment of departure. The results of scientific research in the area of proxemics prove that the surrounding architecture and its elements can strengthen or suppress emotions in humans. The psychology of architecture shows that the type of materials used, rhythm, spatial order, color and lighting co-create our attitude toward a specific space. The perception of space, sound, smell and tactile sensations (temperature, humidity, air flow) deter-mine how comfortable we feel and affect our spatial and bodily involvement. The mentioned research results may constitute the basis for extended research on the impact architecture has on the body, senses and feelings in the process of dying. The matter of death and the space dedicated to it is a universal issue that requires visibility. The lack of sufficient analyses, especially in the context of artistic research, opens up a wide field for artistic activities. The cognitive value as well as novelty of the proposed project should be seen primarily in the interdisciplinary nature of the subject of research and the artistic-research approach to the research problem. The issue of research in artistic practice is a critically important direction in the development of the latest art. The main hypotesis of my project states that artistic research as well as art is a type of discourse expanding our knowledge and developing anthropological reflection on the influence of architecture, its material and spatial organization on emotions related to the experience of death. Detailed research hypotheses will be formulated on the basis of empirical as well as artistic research and in the course of the work on the artistic implementation. Ideas, concepts and methodologies will be selected in terms of the explanatory usefulness of specific phenomena and the possibility of confronting them with the methodology of artistic research; the research and artistic process will therefore be interdisciplinary. Some of the methods implemented to the project include bibliographic query - working with archival materials, analysis of found images ; conceptual imaging of the ideas (drawing, digital image, visual commentary) and creation of visual databases; visual sociology - interview (qualitative research), fieldwork (photo and video documentation), visual study of the subject and surroundings, as well as the analysis of gestures related to the human body in a space; imitation as a method that allows for the simplification of activities, in-depth analysis and sensitization.
typeresearch exposition
date11/03/2023
last modified15/03/2024
statusin progress
share statuspublic
copyrightMonika Karczmarczyk
licenseCC BY-NC-ND
languageEnglish
urlhttps://www.researchcatalogue.net/view/2021279/2021280


Simple Media

id name copyright license
2021295 Bandaz gotowe video_poprawiony dzwiek Monika Karczmarczyk CC BY-NC-ND
2033397 CHOREOGRAPHY OF CARE_SCREEN1_lower qual Monika Karczmarczyk CC BY-NC-ND
2033404 CHOREOGRAPHY OF CARE_SCREEN2_lower qual Monika Karczmarczyk CC BY-NC-ND
2038904 still point_arm Monika Karczmarczyk Public domain
2038918 still point_arm_coloured Monika karczmarczyk CC BY-NC-ND
2040969 images-1 Monika Karczmarczyk CC BY-NC-ND
2040972 images-3 Monika Karczmarczyk CC BY-NC-ND
2040976 IMG_2173 Monika Karczmarczyk CC BY-NC-ND
2040986 images-2 Monika Karczmarczyk CC BY-NC-ND
2040992 IMG_1518 Monika Karczmarczyk CC BY-NC-ND
2041004 IMG_1520 Monika Karczmarczyk CC BY-NC-ND
2041009 IMG_1518 Monika Karczmarczyk CC BY-NC-ND
2041037 WhatsApp Image 2022-05-11 at 10.06.54 (3) Monika Karczmarczyk CC BY-NC-ND
2041040 IMG_1915 Monika Karczmarczyk CC BY-NC-ND
2542805 death of the protagonist Monika Karczmarczyk All rights reserved
2543594 IMG_9748 Monika Karczmarczyk All rights reserved
2543742 interview Monika Karczmarczyk All rights reserved
2543744 Choreography of care_notes Monika Karczmarczyk All rights reserved
2543746 Monika Karczmarczyk_project summary Monika Karczmarczyk All rights reserved

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