Exposition

Becoming a Goddess in a Music Video Trilogy: Applying Intersectional Feminism in a Transnational Folk Singing Collaboration in Finland and Bulgaria (2025)

Emmi Kujanpää

About this exposition

In this exposition, I explore my artistic practice based on collaborations between female folk singers in Finland and Bulgaria from 2018 to 2022. The artistic material of the exposition consists of a music video trilogy (2019, 2020 and 2022) based on my compositions and arrangements in the solo album Nani (2020), produced in cooperation with the younger generation of the Bulgarian women's choir, Le Mystère des Voix Bulgares. In addition to the collaborative artistic practice, I interviewed six of the Bulgarian singers. Insights from the data gathered in these ethnographic interviews are intertwined with the analysis of the artistic practice. Throughout the artistic and ethnographic research processes, I applied a feminist intersectional pedagogical approach by focusing particularly on the power relations and the question of female agency in the arts and wider society. In this exposition, I argue that the incorporation of intersectional feminist perspectives in transnational artistic work can contribute to both artistic practice and transnational interactions in ways that may strengthen women's agency in the folk music field of their respective cultural and social environments. Feminist folk music composition was applied at all stages of the artistic and research work. By highlighting the stories, voices, and bodies of women of different ages and cultural locations, the artistic practice represented the construction of counter-myths and transgenerationality. In addition, an intersectional feminist approach helped to identify the power relations involved in transnational collaboration, particularly regarding economic inequality and the roles and different opportunities of women musicians in Finland and Bulgaria. Download Accessible PDF
typeresearch exposition
keywordsfeminist folk music composing, Finno-Karelian folk singing, Bulgarian folk singing, transnationalism, intersectional feminism, The Mystery of the Bulgarian Voices
date28/10/2025
published28/10/2025
last modified28/10/2025
statuspublished
affiliationUniversity of Helsinki
copyrightEmmi Kujanpää
licenseCC BY-NC-ND
languageEnglish
urlhttps://www.researchcatalogue.net/view/2038366/2038367
doihttps://doi.org/10.22501/jar.2038366
published inJournal for Artistic Research
portal issue36. 36
external linkwww.emmikujanpaa.com


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