Exposition

Ko. Fluid Practices. (2023)

Sergio Patricio
sergio patricio valenzuela valdes
open exposition

About this exposition

Ko = water in Mapundungun (Mapuche language). The reflection revolves around how we divide the waters in time-based media practices in the current context of environmental emergency + war. The analysis begins inspired by the Mapuche people about interconnectedness with rivers and lakes, raising a question about art practices today. Ko's idea is based on how water flows from the sides (positions, political strategies, visions) and divides territories. How to make performance art sustainable? To answer this question, a capsule is presented around the ecology of time-based media as a fluid art practice. To understand in three steps this observation selected exponents from around the world and Austria helps to make a final selection of three performance artists living and working in Vienna, observed as different currents of one sea with leitmotiv and policy paths. The aim is to use this classification to speculate on how they could improve sustainability in the next decade. Ko speculates on how practices use these territories divided as a sea with currents. Where bodies could achieve the awareness needed especially in terms of water crisis scarcity and safe access. The final thought claims attention to fluid thinking to find solutions and build a sustainable community.
typeresearch exposition
keywordsMapuche, fluid practices, performance exponents, water crisis, sustainable performance.
date12/09/2023
published28/11/2023
last modified28/11/2023
statuspublished
share statusprivate
affiliationTAPAR
copyrightSergio Patricio Valenzuela Valdes
licenseAll rights reserved
languageEnglish
urlhttps://www.researchcatalogue.net/view/2284406/2284405
doihttps://doi.org/10.22501/rc.2284406
published inResearch Catalogue
external linkhttps://tapar.org/


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