Exposition

Listening Into the Lattice (2024)

Jorge Boehringer
open exposition

About this exposition

This exposition details the opening phase of new research between an experimental sound artist and an archaeologist, with a detailed examination of critical epistemological questions that have arisen from the beginning of this project. Both collaborating researchers are situated within hybrid specialisations. As the project unfolds, archaeo-chemical data is explored and animated through methods developed from intersections of data science and musical practice, resulting in performance and installation environments in which knowledge of material culture of the ancient past may be made present through listening. However, beyond a case study, this exposition points to how interdisciplinary artistic work produces results that have value outside of normative paradigms for any of the fields from which it is derived, while offering critical insight about those fields. This exposition is formed of these insights. Readers are introduced to the structure of the data, its relationship to the materiality of the artefacts described, the technological apparatus and compositional methodology through which the data is sonified, and the new materiality of the resulting artistic experiences. Sonification exists at a nexus of sound production and listening, interwoven with information. Meaning and interpretations arise from artistic decisions concerning sound composition and the context for listening to take place. Meanwhile, listening teaches us about data and about the physical and cultural spaces into which we project it. In this way, sonification is always already interdisciplinary.
typeresearch exposition
keywordsspatial audio, sonification, materiality, archaeology, interdisciplinarity, phenomenology, glass, IKO, pulsar synthesis, listening, sonic studies, art and technology, art and science, data perceptualisation, data sonification, material culture, sound, liminality, ontology, epistemology, Hermeneutics, chemistry, auditory display, ambisonics, IKOsaederLoudspeaker, practice, Practice-as-research
date03/10/2023
published07/06/2024
last modified07/06/2024
statuspublished
share statusprivate
affiliationNewcastle University
copyrightJorge Boehringer
licenseCC BY-NC-ND
languageEnglish
urlhttps://www.researchcatalogue.net/view/2322814/2322815
doihttps://doi.org/10.22501/hub.2322814
published inHUB - Journal of Research in Art, Design and Society
portal issue2. HUB Issue #2 / Spring 2024 / Varia
external linkwww.jorgeboehringer.com


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copyrightJorge Boehringer
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copyrightDuplessis, 2023
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nameScore_For_Lattice_Performance
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