Exposition

Big Slides in Augsburg (2025)

Floris van Daalen
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About this exposition

Name: Floris van Daalen. Main subject: Classical trombone. Title: Big Slides in Augsburg. Research question: How was the bass sackbut used in Hans Leo Hassler's music while he was in Augsburg? A lot can be found about the use and application of the tenor sackbut, with a wide range of sources on this subject. However, this is lacking for the bass sackbut. This was a surprise to me as the bass sackbut is regularly used in performances today. In this research, I attempt to fill in this gap a little by diving into a specific area in Germany and focusing on a single composer. I will do this by, in the first part, diving into the context of the development of the sackbut and the consequent development of the bass sackbut, gaining knowledge of the instrument itself. I follow this up by evaluating the city of Augsburg, with the focus being the history of the city around 1600 and the years leading up to that. This all leads into the investigation of prominent composer Hans Leo Hassler and his time as an artist in the city of Augsburg. Following this more theoretical aspect, I examine music written by Hassler to explain the use of the bass sackbut in his music, providing more practical examples of where and how the bass would fit in and where we could use the bass sackbut today. by examining parts from Hassler’s published works and connecting them to the information set out before about the bass sackbut, I will try with this research to give a more conclusive answer to the practical use of the bass sackbut for this music.
typeresearch exposition
keywordssackbut, 16thcentury, Early music, aesthetics
date20/10/2023
published14/07/2025
last modified14/07/2025
statuslimited publication
copyrightFloris van Daalen
licenseCC BY-NC-ND
urlhttps://www.researchcatalogue.net/view/2346647/2461490
published inKC Research Portal
portal issue3. Internal publication


Copyrights

nametenpos
copyrightEwald Meinl
licenseAll rights reserved
usagespicture
nameposaune_bass_ren_1024x1024, rechtop (2)
copyrightblechblasinstrumentenbau egger gmbh
licenseAll rights reserved
usagespicture, picture
nameDovrò dunque partire pria che scoprir poss'io, Giovanni Domenico Puliaschi, korte edit
copyrightFloris van Daalen
licenseAll rights reserved
usagesvideo
namemagnificat a12, andrea gabrieli, excerpt
copyrightAndrea Gabrieli, concerti
licenseAll rights reserved
usagespicture
namespeer sonate 1, excerpt
copyrightDaniel speer
licenseAll rights reserved
usagespicture
namePreatorius pagina trombones
copyrightMicheal Praetorius
licenseAll rights reserved
usagespicture, picture
namePlan_Augsburg_1550
copyrightVon Sebastian Münster - Scan Kalenderblatt
licensePublic domain
usagespicture, picture
nameligging Augsburg, brittanica
copyrightEncyclopædia Britannica, Inc.
licenseAll rights reserved
usagespicture
namesacri concentus, hassler, F5 sleutel
copyrightpublic domain
licenseAll rights reserved
usagespicture
nameHassler, cantate domine, sacri concentus
copyrightHans Leo Hassler
licensePublic domain
usagespicture
nameHassler, sancta et, sacri concentus
copyrightHans Leo Hassler
licensePublic domain
usagespicture
nameHassler, duo seraphim, cantiones sacrae
copyrightHans Leo Hassler
licensePublic domain
usagespicture
nameHassler, cover page neue teutsche gesang
copyrightHans Leo Hassler
licensePublic domain
usagespicture
namehassler 1593
copyrightstaat und stadts bibliothek Augsbrug
licenseAll rights reserved
usagespicture, picture
nameEgger bas liggend
copyrightblechblas-instrumentenbau egger gmbh
licenseAll rights reserved
usagespicture
namehassler lage noten 1, sacri concentus, verkleint
copyrightHans Leo Hassler
licensePublic domain
usagespicture

comments: 1 (last entry by Wouter Verschuren - 02/03/2025 at 07:53)
Wouter Verschuren 02/03/2025 at 07:53

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