Exposition

The studio production approach to live sound: Recreation of creative mixing techniques and sound design elements in live music performances (2024)

Kaan Yazici
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About this exposition

This thesis investigates the implementation of a studio production approach into live sound engineering, examining benefits and challenges of implementing nuanced sound design elements and mixing techniques commonly found in studio recording. It highlights the historical separation and recent convergence of studio and live sound realms, spurred by technological advancements. Employing literature review, expert interviews, and firsthand application of studio techniques in live settings, the study suggests that the implementation of modern audio technologies guided by a clear artistic approach, allows for the successful implementation of mixing techniques and the sound design elements of a studio production in live performances. Benefits range from enhanced artistic expression and musical narrative possibilities to precise sound control and superior fidelity, albeit with challenges like technical complexity, loss of spontaneity, and higher setup time and costs. The thesis highlights the critical role of collaboration between engineers and artists to ensure that the application of studio techniques enhances rather than detracts from the live experience. It advocates for a flexible, context-sensitive approach that considers the genre, venue, and audience expectations while implementing redundancy and utilizing techniques like virtual soundcheck in order to balance out the technical challenges. Ultimately, the thesis concludes that while the pursuit of studio-quality sound in live settings introduces complexities, it also opens up new possibilities for creative expression and audience engagement, enriching the live music landscape.
typeresearch exposition
keywordsLive Sound Engineering, Studio Production, Sound Design, Mixing Techniques, Technological Advancements in Audio, Artistic Expression in Sound Engineering
date28/02/2024
published04/07/2024
last modified04/07/2024
statuslimited publication
share statusprivate
affiliationRoyal Conservatoire The Hague
copyrightKaan Yazici
licenseCC BY-NC-ND
languageEnglish
urlhttps://www.researchcatalogue.net/view/2401474/2616648
published inKC Research Portal
portal issue3. Internal publication


Copyrights

nameKaan Yazici Art of Sound Masters Thesis
copyrightKaan Yazici
licenseAll rights reserved
usagespdf

comments: 1 (last entry by Brecht de Man - 28/02/2024 at 22:20)