Exposition

ON SOUNDSCAPES, PHONOGRAPHY, AND ENVIRONMENTAL SOUND ART (2018)

Marinos Koutsomichalis

About this exposition

This paper proposes a pragmatic response to the broad philosophical question of what constitutes a soundscape and in what ways it might resonate through consciousness and perception. It also discusses phonography, criticizes its incapability to capture the essence of environmental sound, and explains how a series of artistic practices emerged and established themselves within the non-linearities of the recording-reproduction paradigm. Further, it elaborates on how sound art inaugurates new ways of perceiving, thinking about and representing soundscapes, accordingly. In this respect, several examples are discussed, including a selection of works by the author.
typeresearch exposition
date18/04/2016
published29/06/2018
last modified29/06/2018
statuspublished
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/268080/268081
published inJournal of Sonic Studies
portal issue4. Issue 4


Simple Media

id name copyright license
296654 Winderen Energy Field Jana Winderen All rights reserved
296651 Lopez la Selva Marinos Koutsomichalis All rights reserved
290248 Lopez la Selva Marinos Koutsomichalis All rights reserved
268152 lake vistonida Marinos Koutsomichalis All rights reserved
268147 peripatetic Marinos Koutsomachilis All rights reserved
268143 paesaggio sonoro Marinos Koutsomichalis All rights reserved
268085 JSS Banner research catalogue All rights reserved

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