Exposition

ON SOUNDSCAPES, PHONOGRAPHY, AND ENVIRONMENTAL SOUND ART (2018)

Marinos Koutsomichalis
open exposition

About this exposition

This paper proposes a pragmatic response to the broad philosophical question of what constitutes a soundscape and in what ways it might resonate through consciousness and perception. It also discusses phonography, criticizes its incapability to capture the essence of environmental sound, and explains how a series of artistic practices emerged and established themselves within the non-linearities of the recording-reproduction paradigm. Further, it elaborates on how sound art inaugurates new ways of perceiving, thinking about and representing soundscapes, accordingly. In this respect, several examples are discussed, including a selection of works by the author.
typeresearch exposition
date18/04/2016
published29/06/2018
last modified29/06/2018
statuspublished
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/268080/268081
doihttps://doi.org/10.22501/JSS.268080
published inJournal of Sonic Studies
portal issue04. Issue 4


Copyrights

nameJSS Banner
copyrightresearch catalogue
licenseAll rights reserved
usagespicture
nameWinderen Energy Field
copyrightJana Winderen
licenseAll rights reserved
usagesaudio
nameLopez la Selva
copyrightMarinos Koutsomichalis
licenseAll rights reserved
usagesaudio
namelake vistonida
copyrightMarinos Koutsomichalis
licenseAll rights reserved
usagesaudio
nameperipatetic
copyrightMarinos Koutsomachilis
licenseAll rights reserved
usagesaudio
namepaesaggio sonoro
copyrightMarinos Koutsomichalis
licenseAll rights reserved
usagesaudio

Comments are only available for registered users.